Historically accurate and huge fun. Vintage Cornwell.

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VAGABOND

Continuing the series that began with The Archer’s Tale (2001), adventure master Cornwell throws his lusty young hero Thomas of Hookton up against both the French and the Inquisition.

Opening with a fine small battle on the Scottish border, Cornwell continues his historically based, wildly entertaining trek through the Hundred Years War, a tale that hangs on the adventures of a superb English bowman at a time when English longbows pretty much ruled the battlefield. Thomas, last seen at the battle of Crecy, has trudged up north with orders from Edward Plantagenet to see a monk in Durham about a legend. The legend is The Grail, and Thomas is involved because his priestly father Ralph de Vexille, a French fugitive, left him a multilingual diary full of references to the sacred vessel. The Vexilles believed they had possession of the cup, and the diary may lead to its recovery. Oxford dropout Thomas can read his father’s Latin and a bit of the Greek, but the Hebrew’s got him stumped. Marching with the lad are his pregnant sweetheart and a kindly monk, both doomed to die at the hands of the divinely sinister Dominican inquisitor Bernard de Taillebourg, who, with his dark and moody servant Guy de Trexille (Thomas’s psychotic cousin), lusts after the diary. Before Thomas can get his answers he’s roped into an English skirmish with raiding Scots. Encouraged by their French allies, the savage northerners have massed in huge numbers, but their drums and battle-axes are no match for the handful of archers Tom joins. Thomas makes an enemy of a nasty bankrupt knight and poor Eleanor falls victim to the sadistic de Taillebourg, but Thomas survives to continue his quest for the grail accompanied by cheerful prisoner Robbie Douglas. Their travels, always just a few steps ahead of the damned Dominican and the jealous Sir Geoffrey, take them to Brittany, scene of earlier romance, where the English have a tenuous toehold and where de Taillebourg has equally perfidious allies. There will be torture, siege, and treachery.

Historically accurate and huge fun. Vintage Cornwell.

Pub Date: Dec. 1, 2002

ISBN: 0-06-621080-1

Page Count: 384

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 2002

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Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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THE NICKEL BOYS

The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 21, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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