Graphic details aside: an old-fashioned, there’s-no-place-like-home melodrama complete with affirming life lesson.
Gritty but loving portrait of an African-American family’s indestructible ties.
Diagnosed with breast cancer, light-skinned, 30-year-old Camilla has to undergo a double mastectomy. When her doctor asks if there is a family history of cancer, she says no, but then—in chapters that form the heart of a story bracketed by her present experiences—begins recollecting the past she worked so carefully to escape. Though Camilla is now married to wealthy Bryant, she grew up in a crowded Brooklyn tenement. Grandmother Velma, born in the South, moved north hoping to make a better life for herself. But she and husband Chuck ended up raising three of their two older unmarried children’s kids in their small apartment. Velma had higher hopes for her beautiful, clever youngest, until teenaged Audrey Rose fell for no-good Leroy, got pregnant, and married him. Soon Audrey was on drugs, shoplifting, and turning tricks; Velma wound up having to raise baby Camilla too. As Camilla mulls over the past, she also recalls a visit from an aunt who had undergone a mastectomy, but she doesn’t tell this to her doctor. Growing up watching her mother disappear for months at a time—into prison, drugs, or someone else’s home—Camilla determined to make a better life for herself that didn’t include her dysfunctional relatives. She left home to attend college on a scholarship, cut off all ties with her family, and passed herself off as a child of privilege whose parents had died in a skiing accident. Buying her story, Bryant’s affluent, light-skinned family and friends easily accepted Camilla. But cancer changes everything—especially when Bryant starts cheating on her.
Graphic details aside: an old-fashioned, there’s-no-place-like-home melodrama complete with affirming life lesson.Pub Date: May 1, 2004
ISBN: 0-525-94796-5
Page Count: 224
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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