Sordid and incoherent, from a talented writer who’s done much better. (Warning: fairly graphic descriptions of adult-child...
A slice of life and lots of sex, in a fourth from McFadden (This Bitter Earth, 2002, etc.).
Campbell writes in her journal, “Ain’t no man ever going to make me cry.” Her mother, Millie, does little but clean house obsessively and mutter about her husband Fred’s cheating. Luscious, a 400-pound neighbor woman, who’s got nothing better to do than warm the vandalized benches around the Brookline housing projects, says it’s a crying shame, but Millie married Fred just because she was afraid of becoming a spinster, cuddling cats in her lap ’stead of babies. Campbell doesn’t know what to do but watch her mother weep and keep on bringing those little yellow pills (Valium) she takes every day. A move to a Bedford-Stuyvesant brownstone that the family buys holds an unpleasant surprise: a creepy tenant. This peppermint-sucking public masturbator is Clyde Walker, and just the way he looks at her makes Campbell nervous. But he promptly moves on, to everyone’s relief, replaced by flamboyantly gay Clarence Simon and his lover Awed Johnson: an abusive bisexual who cheats right and left on swishy, pathetic Clarence, whom Campbell likes—one more reason for her not to trust nobody. An abrupt segue leads to Luscious’s childhood memories of rape and abuse by a fat pimp, and, moving right along, there’s also Solomon, son of Grammy, a witchy old lady. Sickly and spoiled, Solomon grows up to father Donovan, Campbell’s eventual love interest. Sensually loving romps start turning into a relationship—but, hey, looks like Donovan has a commitment problem, when he ditches her at the airport before their flight to the Caribbean. Not even his ever-loving Grammy, who still cleans his apartment, knows the truth: That as a boy Donovan was repeatedly molested by Grammy’s boarder, Clyde Walker, the peppermint sucker. Campbell writes poems about her broken heart.
Sordid and incoherent, from a talented writer who’s done much better. (Warning: fairly graphic descriptions of adult-child sex.)Pub Date: Feb. 1, 2003
ISBN: 0-525-94706-X
Page Count: 256
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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