A stunning, fertile selection of poems worthy of the broadest possible audience.
Duncan’s debut collection of introspective poems plaits together pain, love, truth and self-discovery.
The author begins her magnificent collection with the simple premise of knowing oneself. Taken together, the poems chart her journey from suffering heartbreak to embracing life. Shards of a shattering loss shimmer from page to page, and Duncan examines them piece by piece, with her reinvention of herself hiding between the lines. Symbolism lends depth in “Small Waters,” in which the poet describes longing as droplets: “But if / you chance to listen to the sigh / of each tear as it curls around stone, / you may feel a thirst that fills you / and wets your carved cheek.” Her words document both pain and joy, and her poems document a journey of self-integration and change; even a poem about emerging from painshouts with triumph. Duncan speaks of love in words reminiscent of the Bible’s Song of Solomon in “Please Hold My Hand”: “Neither your vessel nor mine will last / forever; each with its cracks will finally / break. Soon enough we will fall into / another season of beauty. So for now, / please hold my hand. Let us drink wine / and sing love songs to one another.” After these intimate explorations, the collection ruminates on larger, more ephemeral issues, such as universal oneness and humans’ connection to nature. In these areas, the poet becomes less tangible and more airy, but the rich, vibrant language evokes moonlit incantations and meditations in the open air. In one gorgeous line from “Grace,” for example, Duncan sums up the life of the artist: “I have only words to express my restless heart, / only a few clear notes that ring inside my busy head.”
A stunning, fertile selection of poems worthy of the broadest possible audience.Pub Date: Jan. 10, 2014
ISBN: 978-1-4929-2265-0
Page Count: 118
Publisher: CreateSpace
Review Posted Online: March 24, 2014
Kirkus Reviews Issue: May 1, 2014
Review Program: Kirkus Indie
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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