A collection of linked short stories about blue-collar Americans in small-town USA.
Debut author Gilstrap has created a work of 17 vignettes that, when considered as a whole, tell a full story. Characters at the center of one tale reappear as background characters in another. Of varying lengths and styles, each discrete story is set in Charlotte, North Carolina, and typically focuses on someone who is contending with difficult circumstances. In “Paper Fans,” Janine, a young woman, studies the menu at a greasy spoon trying to find something she can afford. She sits with her best friend, Maddie, who comforted her through her mother’s disappearance when they were kids. Later, Maddie helped save her from severe depression after a bad breakup. Janine, still dissatisfied with her life, focuses on the holes in their clothing, their finances, and their lives. In “Machine,” Janine’s grandmother, Sue, worries over her son, Hardy, now that his wife (Janine’s mother) has run off. In “After the Fire is Gone,” Hardy has grown into a lonely man who finds himself smoking weed with the mother of his childhood best friend. Reminiscent in tone and style of Elizabeth Strout’s Olive Kitteridge (2008), the collection reveals small-town life and the ways its residents handle grief, loss, and anger. Gilstrap’s work abounds with surprising images and well-turned sentences (“They’d been friends for ages, and sometimes, it was like years folded into paper fans”), and she paints a clear picture of a world where people struggle to create lives that consist of more than Pabst beer and canned Beanee Weenees.
A novel in stories that expertly juxtaposes despair with love and loneliness with comfort.Pub Date: Feb. 15, 2015
ISBN: 978-0-9895151-8-4
Page Count: 156
Publisher: Twelve Winters Press
Review Posted Online: June 16, 2015
Kirkus Reviews Issue: July 15, 2015
Review Program: Kirkus Indie
Categories: GENERAL FICTION
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The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 22, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Categories: GENERAL FICTION
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A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
Categories: GENERAL FICTION
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