Readers will be casting their votes for Rick—and not the guy who got away.

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ALWAYS SOMETHING THERE TO REMIND ME

A harried events planner pines for the high-school heartthrob who got away, but is the feeling mutual?

Erin Edwards works for a world-class luxury resort in Virginia, coordinating lavish weddings, bar mitzvahs and birthday parties, like the Sweet 16 bash the hotel is hosting for Roxanne, the world’s brattiest teenager. Fielding Roxanne’s outrageous requests (helicopters, horses in the water park, a flock of eagles), Erin recalls her own much less entitled teenage years, overshadowed by her passion for Nate, her first lover. Although she went on to other loves and is the single mother of a daughter, she’s never found Nate’s equal in any man. Rick, her daughter’s best friend’s father, a prominent Washington, D.C., lawyer, has proposed and is waiting for an answer. There’s nothing wrong with Rick, except that he’s not...Nate. The book alternates between the mid ’80s, as the courtship of Nate and Erin charts its rocky course, and the present. Although '80s Erin can’t tamp down her longing for Nate, she still chafes at the fact that they never have a real date—instead they hang out with his Animal House–eligible contingent of friends. Nate is Romeo without the flowery speeches or depth. In the present, Roxanne refuses to believe that her ex-boyfriend can’t be somehow forced to attend her party. Witnessing Roxanne’s self-delusion leads Erin to ponder if Nate shares her nostalgia for their past.  Convinced he moved away long ago, she can’t resist revisiting Nate’s former home. But as she passes the house, who should appear but Nate, slightly more grizzled. They fall back into bed without so much as a word, but then she finds his wedding ring. Should she have just let sleeping Nates lie? Although there are some trenchant social observations here, Erin’s ever-churning ruminations and regrets begin to pall. Harbison makes a vivid case for Nate’s sexual prowess but fails to illustrate any other traits that would qualify him for soul-mate-hood. 

Readers will be casting their votes for Rick—and not the guy who got away.

Pub Date: July 19, 2011

ISBN: 978-0-312-59910-2

Page Count: 368

Publisher: St. Martin's

Review Posted Online: June 6, 2011

Kirkus Reviews Issue: June 15, 2011

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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