With snappy dialogue and a breezy tone that still manages to support emotional depth, the author keeps us turning pages and...
A Delaware beach town that's famous for being the best place to recover from a breakup embraces Summer Benson, an injured flight attendant intent on healing.
After a lifetime of running from place to place and man to man, Summer thinks she may be ready to settle down with Aaron, a dreamy pilot everyone tells her is the ideal man and who seems ready to pop the question. But after a disaster forces everyone to pause, Aaron reconsiders his options—“I love you. But I don’t love you enough”—and Summer is left to lick her wounds, emotional and physical. Finding her way to Black Dog Bay, she immediately connects with locals in a way she hasn’t since her teen years; for the first time in her adult life, she feels ready to stay put for a while. Add in Dutch, the sexy mayor who makes her heart pound more than Aaron ever did, and Ingrid, his teenage sister, who makes her heart squeeze, and Summer may actually consider long-term plans. But her dreams for the future meet a huge obstacle when the local curmudgeon and real estate mogul takes a personal interest in her and decides to use her as a pawn in a power struggle steeped in past vendettas that puts the idyllic town at risk. Kendrick’s writing is witty and captivating, and her characters are an endearing swirl of complexity—especially Summer, with her external brashness and internal subtlety. The plot whistles along, taking a few unexpected turns that make the inevitable happy ending more textured and satisfying.
With snappy dialogue and a breezy tone that still manages to support emotional depth, the author keeps us turning pages and rooting for Black Dog Bay and everyone in it.Pub Date: May 6, 2014
ISBN: 978-0-451-46585-6
Page Count: 336
Publisher: New American Library
Review Posted Online: March 31, 2014
Kirkus Reviews Issue: April 15, 2014
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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