EVERYBODY INTO THE POOL

TRUE TALES

Light, flippant and savvy.

California performance artist Lisick offers bright, funny takes on her square upbringing in Sunnyvale during the 1970s and 1980s, her adult life in San Francisco’s 1990s counterculture and beyond.

A weekly columnist for the San Francisco Chronicle’s Web site, the author presents herself as “too weird to fit into the mainstream world, the one I came from . . . too normal for the fringe world I found later.” She highlights the contrast between normal childhood and freaked-out adulthood in her account of an annual ladies’ luncheon and Christmas gift exchange at which she appears first as an eager child waitress in 1976, then, in 1991, as a disheveled invitee with a hangover and bad hair bringing a poorly wrapped, last-minute gift. Lisick uses her uneasy stint as a homecoming princess and her appalling first date with a popular jock to create an entertaining glimpse of her high school years. Later, she’s at UC Santa Cruz stuffing $20 bills into her black bustier at a Catholic charities raffle because she needs money for an abortion. It’s darkly funny, and there’s more to come. After college, Lisick travels with an all-female punk-rock troupe named Sister Spit and explores her sexuality with a female construction worker named Trouble. Then, while living with her boyfriend in a San Francisco warehouse that’s flooded by broken sewer pipes, she is forced to move her possessions out in a beat-up shopping cart. When she eventually buys a house in Berkeley, it’s in a rundown, garbage-strewn neighborhood known as Brokely. Such personal disasters, small and large, are the stuff of these memoirs, providing her with the material for her sharp observations and self-deprecation. The final piece finds her a bemused new mother, coping with a drooling and crusty-headed baby boy who’s clad all wrong in pink and yellow. Exaggeration in the interest of a good story is no sin, and Lisick is above all an accomplished storyteller.

Light, flippant and savvy.

Pub Date: July 5, 2005

ISBN: 0-06-077877-6

Page Count: 240

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2005

THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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