A warm, enchanting love story perfect for fans of classic rom-coms.

THE FLATSHARE

Two London roommates with an unconventional bed-sharing situation get to know—and then fall for—each other via Post-it notes before they ever meet.

When Tiffy Moore finally leaves her emotionally abusive, manipulative boyfriend, she needs a cheap place to live ASAP. Leon Twomey, meanwhile, needs money to help get his brother out of prison after a wrongful conviction, so he’s looking for a roommate. The catch? They’ll be sharing a bed—just not at the same time. Leon works the night shift as a palliative care nurse, meaning he’s only at the apartment during the day, while his roommate can have it during nights and weekends. Tiffy’s so desperate that she agrees to this unconventional arrangement even though she and Leon haven’t even met in person. They start communicating via Post-its left throughout the apartment, and by the time they finally meet in person (in a hilarious shower scene), they’ve already started to fall for each other. As they get to know each other better and even become friends, they have to decide if they’re willing to risk their perfect living arrangement to take a chance on love. Tiffy and Leon could easily become clichéd characters—Tiffy the quirkily dressed woman with a publishing job, Leon the taciturn night-shift worker who avoids friendships—but debut author O’Leary perfectly captures their unique voices. The story is a delight from start to finish, full of eccentric side characters (including Tiffy’s friends and co-workers) and sexual tension. Although the romantic comedy elements are always at the forefront, there are plenty of moving moments, especially concerning Leon’s job and Tiffy’s quest to overcome the abuse and trauma of her past relationship. With likable main characters, spot-on dialogue, a fun premise, and plenty of drama, there's a lot to like in this sweet story.

A warm, enchanting love story perfect for fans of classic rom-coms.

Pub Date: May 28, 2019

ISBN: 978-1-250-29563-7

Page Count: 336

Publisher: Flatiron Books

Review Posted Online: Feb. 4, 2019

Kirkus Reviews Issue: Feb. 15, 2019

Did you like this book?

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

Reader Votes

  • Readers Vote
  • 168

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

Did you like this book?

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

Reader Votes

  • Readers Vote
  • 12

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

Did you like this book?

more