A second-chance romance shows the many potential pitfalls of road tripping.
Years after a tumultuous breakup, a young woman finds herself crammed into the same tiny car as her ex for a dayslong drive to a mutual friend’s wedding.
Addie and her sister, Deb, are excited to be road tripping from their home in England to rural Scotland for their friend Cherry’s wedding. They’ve planned the trip so perfectly that they don’t even mind transporting a work friend of Cherry’s, an overly apologetic fellow named Rodney. Unfortunately, only a few hours after they set out, they get rear-ended. It turns out the driver is none other than Dylan Abbott, the man Addie has spent two years trying to forget. Worse yet, the car Dylan was driving now needs a tow, leaving him and his best friend, Marcus, without transportation to the very same wedding. Before she can stop herself, Addie invites the men to ride along with her, Deb, and Rodney. Everyone piles into the Mini Cooper, and with each mile they drive, Addie and Dylan find themselves assaulted by memories and unresolved feelings. Meanwhile, the group dynamic, as a whole, is also less than perfect. As the journey progresses, the bickering between the passengers only escalates, creating a slew of awkward moments and surprising revelations. Told alternately from Addie's and Dylan’s perspectives, the novel shifts between “Then,” when they were falling in love, and “Now,” when they are grappling with their unresolved feelings. As a picture of the past begins to crystalize, the author deftly portrays the passion the couple once felt for each other. Unfortunately, other than the sexual chemistry, they seem to be missing a true emotional connection, rendering their potential reunion somewhat less exciting. After the initial flashback scenes, which are quite engaging, Dylan gradually reveals himself to be so self-involved and undirected that his shortcomings weaken the intrigue of his pining over Addie. More fun is watching the other passengers in the car battle against each other as they navigate the uncomfortable ride, squishing into tight spaces and arguing over every possible topic. Despite its unevenness, the story is full of fun: quirky behavior, witty Briticisms, and gleeful slapstick humor.
A second-chance romance shows the many potential pitfalls of road tripping.Pub Date: June 1, 2021
ISBN: 978-0-5933-3502-4
Page Count: 400
Publisher: Berkley
Review Posted Online: April 13, 2021
Kirkus Reviews Issue: May 1, 2021
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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