An intriguing, well-constructed story that follows two kindred souls across the decades.
In Lischke’s debut novel, the lives of two women seem mysteriously linked across the century that separates them.
Jane Eliot is a young married woman coping as best she can with a few frustrations. A strange palsy has afflicted her right hand, largely preventing her from pursuing her love of drawing. Also, she and her CPA husband, David, are childless; Jane previously had two miscarriages and is beginning to despair of ever having a baby of her own. Almost equally unnerving are the vivid dreams that Jane keeps having: glimpses from the life of a 19th-century woman named Elizabeth Brewer. She’s a wealthy mother of five who volunteers her time to teach at a gritty city workhouse, partly out of altruism and partly out of a fascination she feels for the workhouse master, Jordan Locke. At first, Jane is more bemused than alarmed by these recurring dreams, until they begin intruding on her waking life. As the intense visions grow in clarity, Jane becomes frustrated to the point of fear (“ ‘What in the name of God do you want?’ she shouted. That was the way to address a ghost. A ghost in my head?”). Lischke adroitly handles the tension between the two eras of her story, shifting from Jane’s world to Elizabeth’s and back again at key dramatic moments. The events of Elizabeth’s life provide Jane with insights into everything from her marriage to her miscarriages. Lischke excels at creating believable dialogue between Jane and her friends and evoking atmospheric period details of Elizabeth’s existence, including descriptions of the squalid workhouse and the inmates there, some of whom refuse to yield to despair. The past-lives hypnosis and “regression” therapy toward the novel’s climax may strike some readers as a trifle pat, but the drama as a whole is entirely convincing.
An intriguing, well-constructed story that follows two kindred souls across the decades.Pub Date: Jan. 30, 2015
ISBN: 978-0-9911597-8-9
Page Count: 238
Publisher: SDP Publishing
Review Posted Online: July 17, 2015
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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