A Roots for a new generation, rich in storytelling and steeped in history.

THE OTHER MADISONS

THE LOST HISTORY OF A PRESIDENT'S BLACK FAMILY

An African American pediatrician–turned–historical detective investigates her family’s history—and, by extension, that of America.

“Always remember—you’re a Madison. You come from African slaves and a president.” So her mother told Kearse, who opens her account with invocations of the West African griot tradition of storytelling and oral history. That tradition found a place in slavery-era America because most slave owners did not allow enslaved people to learn to read and write. James Madison was different: He allowed his mixed-race son, Jim, to linger within hearing of education lessons. Given well-documented events at nearby Monticello, that Madison had such a son is a surprise only because he had no children with his wife, Dolley, which led many scholars to assume that he “was impotent, infertile, or both.” Evidently not. Enriching that history not just with stories, but with more tangible historical evidence, Kearse visits the plantation, speaking with archaeologists, historians, and the descendants of slaves, reading widely, discovering the long-unknown burial sites of ancestors. She also traveled to Africa and Portugal—for, as her grandfather had told her mother, “our history goes well beyond America’s boundaries.” That Jim was educated did not spare him from being sold, always aware that he was the son of a president. So, too, with the descendants, enslaved and then free, who carried the Madison story to new homes, to be incorporated into the narrative of Madison’s life, as Sally Hemings is in Thomas Jefferson’s. On that note, Kearse writes searchingly of Madison’s language in crafting the Constitution, in which the words “slave” and “slavery” did not appear but that spoke of “other persons”—acknowledged as humans, that is, but still left out. “I understood that this omission,” writes the author, “was why oral history was essential to African Americans having knowledge of how crucial we have always been to what this nation is.” A Roots for a new generation, rich in storytelling and steeped in history. (b/w illustrations)

Pub Date: March 24, 2020

ISBN: 978-1-328-60439-2

Page Count: 272

Publisher: Houghton Mifflin Harcourt

Review Posted Online: March 2, 2020

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A conversational, pleasurable look into McConaughey’s life and thought.

GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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