An achingly sweet feel-good story of love and redemption of all kinds.
Every generation in a small town has its own drama, and everyone has his or her own way of getting through it.
It’s time to catch up with the good people of Henry Adams, Kansas. In the seventh Blessings installment, Jenkins (Forbidden, 2016, etc.) focuses on TC and Genevieve, who are reinventing themselves in their 60s. Our romantic leads both strive toward new goals: TC to start fresh in a new town and to improve his reading, and Genevieve to become a stronger, truer person, to herself and to others. Their determination is fortified by their adorable day-to-day interactions, whether it is shared silence on a drive or one building up the courage to ask the other to lunch. This little Utopia isn’t without its problems, of course, including lifelong grudges and con artists. And while there is a romance at the center, there are all kinds of relationships here. Nineteen-year-old Eli, having expressed the loss of his mother in the worst ways, works to reconcile with his father. Pastor and child psychologist Paula has to face her own demons after learning that her grandfather, who raised her, has died. And Genevieve's best friend, Marie, has to figure out how to fix their relationship after a self-inflicted isolation. Other names and faces pop in and out, giving us glimpses of past and future stories. Some are deliberately left open, but we know Jenkins will return to tell new ones about the people of Henry Adams. Her style is familiar and cozy, and Jenkins knows how to distinguish her characters’ voices so as not to confuse readers by the whirlwind changes in perspective. She's also good at weaving in back story so new readers will find themselves at home. It's easy to lose hours at a time caught up in this book.
An achingly sweet feel-good story of love and redemption of all kinds.Pub Date: June 28, 2016
ISBN: 978-0-06-241263-8
Page Count: 304
Publisher: Morrow/HarperCollins
Review Posted Online: April 12, 2016
Kirkus Reviews Issue: May 1, 2016
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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