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TIME'S A THIEF

When all is said and done, one’s love/hate relationship with this book leans to the side of love.

In 1980s New York, a naïve young intellectual is entranced, employed, exasperated, and expelled by members of a wealthy family.

Firmani’s debut tells the story of Francesca “Chess” Varani from her first year at Barnard until “the day when youth finally died” two decades later, when she learns what became of a wealthy college friend named Kendra Marr-Löwenstein, whose writer mother she worked for as a personal assistant, whose musician brother she fell in love with, whose whole exotic, damaged family bewitched her then betrayed her utterly. Like last year’s Sweetbitter by Stephanie Danler, it is the coming-of-age of a young woman under the influence of unwholesome Manhattan sophisticates; like the previous year’s City on Fire by Garth Risk Hallberg, it is a nostalgic paean to the city’s recent past, studded with continual highbrow references. One character’s personality is summed up by the fact that she reads Jürgen Habermas in the original German, another leaves a conversation about Ivan Chtcheglov’s Formulary for a New Urbanism to puke in an umbrella stand, and everything Chess sets eyes on recalls one artist or another. Despite her generous hand with her encyclopedic knowledge of everything, Chess is an engaging character, often very funny and cool. From working-class Italian origins in a burg she calls Barfonia, she details her enchantment by the Marr-Löwensteins from the night she meets Kendra standing in the street at 4 a.m. with blue hair, a clutch purse sagging with dexies, and the air of “deposed royalty.” She asks Chess for a light. “Of course I had a light. I was born with a Zippo in my hand,” Chess tells the reader. The Marr-Löwensteins, Salinger-esque in some ways (the one Chess falls for is named Jerry), are the novel’s biggest problem. Unremittingly described in the most extreme, overheated terms, not one of them ever seems like a real person, and they don’t act like real people either, disappearing without a trace for years at a time, reappearing in places they can’t possibly know Chess will be, both more awful and more magical than they need to be to engage our emotions.

When all is said and done, one’s love/hate relationship with this book leans to the side of love.

Pub Date: May 2, 2017

ISBN: 978-0-385-54186-2

Page Count: 320

Publisher: Doubleday

Review Posted Online: Jan. 22, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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