While delivering an intriguing premise, this sci-fi tale ends too soon.
In this novella, a surgeon finds himself jumping forward in time, with each interval growing longer.
Dennis Tanner, 40, has a good life: he’s a respected general surgeon; he loves his beautiful wife, Rachel, an architect; he has friends and a comfortable Manhattan apartment. But then he begins losing time. At first just a few hours have mysteriously passed. A tox screen and other tests show nothing is wrong with him, but then seven hours go by without his knowledge, and then two years. Dennis barely has time to address his wife’s astonishment at his reappearance before he’s again propelled forward to 2062, with Rachel now an old woman. Each jump takes him further and further forward in time, centuries ahead, to a world where he’s homeless and lost. In 2300, he meets Leah, a friendly woman who has a drink with him. He tells her the truth, which she’s skeptical about, but she asks him interesting questions about 2017. As he answers, he realizes how much he wants to stop and “be anchored in this time, at this moment. Never seeing more than a fleeting glimpse of a world was like being able to watch only movie trailers and never the movie….He could learn to live in 2300. He could adapt.” But it will be 2418 before Dennis learns how and why he’s been pushed forward in time. Adler (Tell Me a Fairytale, 2016, etc.) writes a compelling sci-fi narrative, with the reader as eager as Dennis to figure out what’s happening. In just a few pages, the author stirs a lot of what-if speculation about the future and what it would be like to suddenly travel there, increasingly bewildered by changes in technology and living arrangements. The language, however, stays pretty much the same: surely 400 years would make as much difference to future English as it has in the past. In addition, while the explanations for Dennis’ predicament and how it was brought about make sufficient sense, the novella concludes with these revelations, seemingly on the brink of the real story.
While delivering an intriguing premise, this sci-fi tale ends too soon.Pub Date: April 1, 2017
ISBN: 978-1-945259-05-0
Page Count: 62
Publisher: N/A
Review Posted Online: March 16, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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