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TERRORISM IN PARADISE

While it sometimes lacks tension, this terrorism tale expertly draws on portions of Hawaii’s history.

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A historical novel focuses on murder and turmoil in 1920s Hawaii.

Grant Kingsley is the son of a sugar plantation owner in Honolulu. At the outset of the narrative, Grant; his brother, David; and their father, James, are set to meet with the Hawaii Sugar Planters Association. It is 1924, and labor relations in the sugar industry are not exactly amicable. A recent strike ended with deadly force, and things show few signs of improving. The planters insist they need to keep wages low for their product to compete on the international market, but the laborers demand better wages. The HSPA feels that the Kingsleys are too soft on their workers. Before discussions can progress, the unthinkable happens: An explosion occurs and James is killed. Who would perpetrate such an act? The HSPA believes that some disgruntled Japanese workers are to blame (“Japanese dynamiters are the culprits,” one man insists), but Grant feels otherwise. Grant, an attorney, decides to investigate. He helps his detective friend Chang Asing track down the killer. Many different ethnic groups—native Hawaiians, the Japanese, and Filipinos—have a reason to be upset with the HSPA, but would any of them resort to murder? It turns out the assassin is a communist named Miguel from the Philippines who has received KGB training. Will Grant and Asing be able to pick through all the thorny relations in Hawaii to stop Miguel before he strikes again? The main problem with Fernandez’s (Splintered Paddle, 2019, etc.) novel is that there is not much to unravel about who murdered James. Sure, Grant and the other characters do not know the killer or why he would resort to such means, yet readers do. Likewise, Miguel’s motivations are clear from the outset. As Grant and Asing collect clues, there is not as much tension as one might anticipate from a plot based on catching an assassin. The book’s excitement stems instead from the many facets of Hawaii’s past that play, in some way or another, into the bigger story. Many readers may not know much about the uneasy melting pot that was Hawaii at the time, and so, for those unfamiliar with, say, the 5-5-3 Treaty of 1922, there is certainly much to learn. From Hawaii’s past as a place ruled by royalty to the many ways the wealthy sugar planters attempted to manipulate their workers, the historical tidbits are weaved into the tale in entertaining ways. Even the history of the ukulele (which Asing plays well) makes an appearance in the narrative. Then there is the complex story of Miguel. How exactly does one become a devout, murderous communist in early-20th-century Philippines? Miguel may not be the most sophisticated villain (for instance, he declares matter-of-factly: “I cannot wait forever to have my vengeance against the killers of Filipinos”) yet his presence helps shed light on international relations at the time. After all, if a communist revolution could happen in a place as vast as Russia, who could stop it in a collection of islands like Hawaii, especially with so much conflict between classes?

While it sometimes lacks tension, this terrorism tale expertly draws on portions of Hawaii’s history.

Pub Date: Oct. 30, 2019

ISBN: 978-0-9990326-8-8

Page Count: 284

Publisher: Makani Kai Media

Review Posted Online: Dec. 17, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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