An overfamiliar tale, redeemed considerably by solid writing and sobering empathy.
A would-be writer’s painful journey toward self-understanding, as seen in this thickly plotted fourth novel from veteran Thompson (Wide Blue Yonder, 2002, etc.).
The primary viewpoint character is Jack Orlovich, a Californian-born Northwestern University student who’s smitten with forthright beauty Chloe Chase (whom he encounters in a poetry-writing class), marries her on the rebound from their tense subsequent meetings, and settles down with in Chicago, as a sometimes-employed househusband, while Chloe supports them as a junior bank executive. Fissures in their marriage’s surface emerge, then gradually widen. Chloe’s binge drinking leads her to blame Jack’s failure to be breadwinner. Complaining about loud music played by their scruffy upstairs neighbor Rich Brezak (“Hippie Pothead Rasta Boy”) brings Jack into unplanned intimacy with Brezak’s female ménage—notably, a sexually inviting crippled girl called Ivory. The moribund loneliness of their apartment building’s other tenants clutches at them like a communicable disease. Meanwhile, the issue of starting a family pushes Chloe and Jack nearer the edge; a visit from her ebullient parents climaxes at a Cubs’ game where Jack tangles with a drunken fan; and exploding fireworks during a rooftop July 4th celebration maim and disfigure another of Rich’s girls. Thompson subtly communicates Jack’s unvoiced fear that the perpetually stoned, reckless Brezak is what he himself may become—an insight borne out by the long, packed climax, in which infidelity, unwanted pregnancy, violent death, recriminations, and partings fold in on one another with the accelerating force of a sentence of doom. It’s all rather too much—though there’s a whiff of real tragic power in Jack’s tardy realization that “Chloe was what he’d had inside him . . . . Now he would be like anyone else, shrunk down to normal.”
An overfamiliar tale, redeemed considerably by solid writing and sobering empathy.Pub Date: Feb. 1, 2004
ISBN: 0-7432-4282-3
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2003
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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