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THE PUSHCART PRIZE XIX

Name: THE PUSHCART PRIZE XIX
Author: Bill Henderson
ISBN: 0-916366-92-8

BEST OF THE SMALL PRESSES

edited by Bill Henderson ‧ RELEASE DATE: Oct. 1, 1994

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It's hard not to get too excited about the latest enormous volume of the best of the noncommercial world of short stories, poetry, and essays. One could easily take it as a sign that the independent publishing community has finally broken free from the shackles of academia and is asserting its voice—actually a whole range of voices that fiercely push themselves forward to be heard. There are a few big names, like Louise Erdrich, Louise GlÅck, and Charles Baxter, but they mostly contribute thoughtful, interesting literary essays. The collection really sings, though, with the sound of rousing newcomers. Some authors have had little or no previous work published, like Bliss Broyard with her graceful story ``My Father, Dancing,'' and Charles D'Ambrosio with ``Jacinta,'' an evocation of quiet desperation in rural Oregon. Several entries are strikingly original in form and content, namely Eugene Stein's story of ultimate anarchism in ``The Triumph of the Prague Workers' Councils'' and George Williams's manic fantasy in ``The Road From Damascus.'' Nonliterary essays offer eloquent views on such subjects as the power of giving messages in Brenda Miller's ``A Thousand Buddahs'' and on the death of great dogs in Vicki Hearne's ``Oyez Beaumont.'' Many of the contributors bring with them the cultural heritage of recent immigration or displacement, most successfully in Marilyn Chin's long poem ``A Portrait of the Self as Nation, 19901991'' and Josip Novakovich's story of survival in Yugoslavia in ``Honey in the Carcase.'' African-Americans, Native Americans, and Latinos are also well represented, but there are no dominant themes, issues, or points of view, and there are surprisingly few duds in a collection this varied. Much has been written about the fall of prose in America, the result of an attention-span-impaired generation, of evil conglomerate book publishers, of stultifying university writing programs, but this latest volume of the Pushcart Prize offers ample evidence that there are many who are able and willing to pick up the fallen banner of the written word. A surprising, vital collection that should hearten all serious readers.

Pub Date: Oct. 1, 1994

ISBN: 0-916366-92-8

Page Count: 608

Publisher: Pushcart

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1994

Categories:

GENERAL FICTION

- BOOK REVIEW
PUSHCART PRIZE L
by Bill Henderson & edited by Pushcart Prize editors

- BOOK REVIEW
THE PUSHCART PRIZE XLIX
edited by Bill Henderson with Pushcart Prize editors

- BOOK REVIEW
THE PUSHCART PRIZE XLVIII
edited by Bill Henderson

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SUMMER ISLAND

by Kristin Hannah ‧ RELEASE DATE: March 1, 2001

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

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Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:

GENERAL FICTION

- BOOK REVIEW
THE WOMEN
by Kristin Hannah

- BOOK REVIEW
THE FOUR WINDS
by Kristin Hannah

- BOOK REVIEW
THE GREAT ALONE
by Kristin Hannah

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

by Larry McMurtry ‧ RELEASE DATE: June 1, 1985

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This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.