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TRAUMA FAMILY

A MEMOIR OF PTSD’S COLLATERAL DAMAGE

A deeply intelligent personal account, both dramatically captivating and scientifically edifying.

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In this memoir, a man recounts a troubled youth under the mercurial tyranny of his father, who suffered from PTSD as a consequence of his experiences serving in World War II.

McBean’s father, Peter, governed his family with an erratic style that “fused sadism and satire,” an amalgam of vituperative anger, violence, and capricious despotism that weighed heavily on the author as the oldest of four children and the only son. His father’s approach seemed guided by the urgent need to prepare the family for an inevitable tragedy of the kind he encountered as a lieutenant commanding a cannon company during World War II. Despite the “terrarium of wealth” McBean enjoyed as a child—Peter was a successful lawyer—his home life seemed intolerable, and he sought ways to lash out against his father’s prohibitive rule, a rebellion he lucidly and powerfully chronicles. Years later as an adult, the author’s life became a “persistent game of hopscotch on land mines, such an unconscious exercise in self-destruction,” and he followed in his father’s footsteps and was overcome by alcoholism. In order to repair his own life, McBean turned to a rigorous scrutiny of his father’s past, a project that included reading more than 100 letters the soldier sent to the author’s mother, Mary, between 1944 and 1945: “Even as I struggled to understand life as a child, I never dreamed the questions about my youth would deepen as I grew older. I never imagined I’d need to understand my father, and most of all, I never suspected examining these questions in my old age would threaten my emotional stability.” McBean finally understood the horror of what his father experienced overseas during the war and the suffering those events saddled him with as well as the ways that emotional pain was bequeathed to the author as a matter of a “transgenerational transmission,” a “secondary trauma.”

McBean’s remarkably forthcoming memoir mixes personal insights with psychological science—he provides an accessible picture of the nature of secondary trauma, the study of which remains in its infancy. In addition, he furnishes a poignantly thoughtful meditation on the havoc such trauma wrought on his life as well as his painful path to recovery. Still, at the core of the book is a memorably sensitive portrait of his father as someone brave and intellectually astute, if also cruel and capable of a “perverse levity.” After the war, Peter returned to the United States with a bevy of problems he could neither adequately manage nor communicate: “He came out of World War II with his ideals pulverized, and that made him angry—ferociously angry. He couldn’t talk about it with anyone, because no one understood what he’d been through, even my mother.” McBean’s remembrance concludes with illuminating advice regarding how one can identify the signs of such trauma in others as well as the resources available to those in need of help. The author’s recollection can lose its direction, meandering into the kind of granular autobiographical details that are more minute than necessary, but nonetheless remains as moving as it is gripping.

A deeply intelligent personal account, both dramatically captivating and scientifically edifying.

Pub Date: Nov. 2, 2020

ISBN: 978-1-63684-819-8

Page Count: 323

Publisher: Climacteric

Review Posted Online: Jan. 14, 2022

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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