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LEARNING FROM UPHEAVAL

Sandy (Forging the Productivity Partnership, 1990), a retired CEO who had a front seat view of the automotive industry post–World War II, provides a thorough accounting of his role helping to shape the business of human performance improvement.

The roots of a long career counseling companies on adapting to change began with Sandy’s economically turbulent childhood. When Sandy was 4, in 1933, his father died and because his father’s wealth was wiped out in the Great Depression, the family moved from the upper echelons of society to the struggling middle class. After logging some journalistic and advertising experience (some while still in college), Sandy’s career began in earnest in 1953 at the Jam Handy Organization, an innovator in distance learning. Thrilled with the creative culture and eager to spread his wings, he opened Sandy Corporation in 1976 with the blessing of his mentor. Sandy was particularly adept at seeing a given economic reality in front of him and finding ways for both his own company and his clients to adapt. Sandy Corporation advised corporations like Chevrolet, then GM as a whole and later, companies outside the auto industry. Yet Sandy doesn’t give readers a broad understanding of how the company operates. Crammed with names, titles and particular client undertakings, Sandy’s text hews close to the specifics. When the author does step back to reflect on and outline his hard-won wisdom, it’s a welcome change. His insights are astute: “If people don’t do what you want them to do…it’s generally one of three things. They don’t know what you want…They don’t know how to do it…Or they don’t think it’s worth a big effort.” One wishes Sandy would have let the lessons rather than the facts of his career take center stage. Though chock-full of useful nuggets, the meticulous, chronological retelling of a long career can be tedious.

 

Pub Date: Jan. 3, 2012

ISBN: 978-1936343218

Page Count: 320

Publisher: The Peppertree Press

Review Posted Online: March 5, 2012

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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