Sandy (Forging the Productivity Partnership, 1990), a retired CEO who had a front seat view of the automotive industry post–World War II, provides a thorough accounting of his role helping to shape the business of human performance improvement.
The roots of a long career counseling companies on adapting to change began with Sandy’s economically turbulent childhood. When Sandy was 4, in 1933, his father died and because his father’s wealth was wiped out in the Great Depression, the family moved from the upper echelons of society to the struggling middle class. After logging some journalistic and advertising experience (some while still in college), Sandy’s career began in earnest in 1953 at the Jam Handy Organization, an innovator in distance learning. Thrilled with the creative culture and eager to spread his wings, he opened Sandy Corporation in 1976 with the blessing of his mentor. Sandy was particularly adept at seeing a given economic reality in front of him and finding ways for both his own company and his clients to adapt. Sandy Corporation advised corporations like Chevrolet, then GM as a whole and later, companies outside the auto industry. Yet Sandy doesn’t give readers a broad understanding of how the company operates. Crammed with names, titles and particular client undertakings, Sandy’s text hews close to the specifics. When the author does step back to reflect on and outline his hard-won wisdom, it’s a welcome change. His insights are astute: “If people don’t do what you want them to do…it’s generally one of three things. They don’t know what you want…They don’t know how to do it…Or they don’t think it’s worth a big effort.” One wishes Sandy would have let the lessons rather than the facts of his career take center stage. Though chock-full of useful nuggets, the meticulous, chronological retelling of a long career can be tedious.
Pub Date: Jan. 3, 2012
ISBN: 978-1936343218
Page Count: 320
Publisher: The Peppertree Press
Review Posted Online: March 5, 2012
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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