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THE BACK NINE

A clunky affair hobbled by stilted dialogue and Albom-grade sentimentality.

A one-time golf wunderkind gets his groove back in this would-be inspirational tale.

Though Mott’s debut is set amid greens and fairways, it plays out a lot like a dusty Western. Its hero, Charlie MacLeod, is a restless drifter who blows into town, arriving at a San Francisco–area course with little more than the clothes on his back and a willingness to take pick-up work as a caddy. Recently divorced, he has a checkered past and carries battle scars (his promising golf career as a teen was cut short after an arm injury). And he’s got something to fight for: Once he discovers that his arm has healed well enough that he can start competing again, he’s pitted against a big-money golfer in a climactic duel, while the only woman who understands him (the woman working the night desk at a motel) cheers him on. Sports easily lend themselves to parable-like redemption stories such as these, but Mott’s execution often borders on the inept. He clearly knows the culture of the caddy shack, which is populated with tough-talking carousers, but he does little to differentiate one from another, leading to long and maddeningly static passages of platitude-stuffed chatter. Charlie’s backstory is almost laughably untenable—he practically grew up on the golf course, pushed hard by a father who lived only to work at a Pittsburgh steel mill and dispense advice about putts and drives. And though Charlie occupies nearly every page, he rarely becomes more than a cardboard character cut-out with a hackneyed, third-reel-of-a-tearjerker humility. (“I lost everything. But I found some others.”) Mott injects a bit of tension into the closing chapters, but by then, Charlie has become so thoroughly Christ-like that it’s not hard to place a good bet on the ending.

A clunky affair hobbled by stilted dialogue and Albom-grade sentimentality.

Pub Date: March 29, 2007

ISBN: 0-307-26536-6

Page Count: 256

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2006

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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