The expansive narrative is in need of pruning. Still, this uniquely American story of race and ambition is of surpassing...
The daughter of former New York Times book critic Anatole Broyard (1920–90) relentlessly pursues the story of his mixed racial heritage, which he had concealed.
Bliss Broyard began her own career with a collection of short stories, My Father Dancing (1999), published nine years after her mother finally revealed that Anatole came from a New Orleans family of blacks and Creoles. Bliss and her brother were, to say the least, surprised. They had grown up in suburban Connecticut, spent summers on Martha’s Vineyard and attended exclusive, mostly white schools. Although the kids had met their grandmother and an aunt when they were small, their father never mentioned his large extended family in the Big Easy. After he died, his daughter determined to get it all and to get it right, embarking on years of prodigious research involving multiple trips to New Orleans; searches for birth certificates, former homes, places of business; numerous interviews with family, friends, lovers, employers. The result is a complicated and sometimes distracting tapestry that weaves together the Broyard family tree, her father’s biography and her mother’s much briefer backstory with her own childhood, adolescence and young womanhood. Adding to the narrative ungainliness are large—sometimes too large—doses of social history: of New Orleans, of race in America, even of DNA testing. Despite occasional silliness, as when the author mentions that some people had always said she danced like a black girl, the tone here is generally serious. A not-so-admirable Anatole Broyard emerges. Though his daughter endeavors to understand him, less forgiving readers will be repulsed by his cold rejection of his birth family, his serial sexual escapades before and during his marriages, his ferocious, vaulting ambition, his personal and professional arrogance, his paternal pettiness. These are not qualities that Bliss Broyard wishes to highlight, but she does not downplay them either.
The expansive narrative is in need of pruning. Still, this uniquely American story of race and ambition is of surpassing importance.Pub Date: Sept. 27, 2007
ISBN: 978-0-316-16350-7
Page Count: 528
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2007
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
BOOK REVIEW
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