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RIVERBANK TWEED AND ROADMAP JENKINS

TALES FROM THE CADDIE YARD

When the author’s preaching gives way to his passion for golf, the story has moments as elemental and sustaining as the...

Well-traveled words of wisdom—a whole bushelful—filtered through the life and times of a sagacious golf caddie.

Roadmap Jenkins is a caddie and a higher order of being. His organic communion with fairway and green is not of the mystical variety, nor bred in the bone. It’s hard-won from long association, day after day reading the land, the sky, the light and shadows. He’s generous with his learning, not only to duffers humbled and respectful after having sent their ball off to explore the woods like a sparrowhawk, but also to the story’s narrator, Riverbank Tweed, a novice caddie Roadmap takes under his wing. Roadmap is an appealing character in his crusty, avuncular way. He is also brimming with wise sentiments—touchstones for a considered life—that are slung about like hash at a cheap diner and as hackneyed (more so) as they are worthy: “The more you work, the more you’ll learn. The more you learn, the more you'll want to work.” Or “Long as you dream, your eyes'll sparkle. And as long as they sparkle, your life’ll be good.” Which is a shame because the heavy-handed sermonizing gets in the way of some otherwise smart, transporting prose—“There’s a sweet feeling when I’m walking down a fairway, surveying the hazards, mapping the yardage, sighting the landmarks, letting the wind brush against my whiskers”—and a finely caught, storm-racked round at Cypress Point, which Links (Follow the Wind, 1995) nearly suffocates under a rising tide of banality: “The memory of today is gonna be his own personal Liberty Bell, gonna be there for him every day for the rest of his life.”

When the author’s preaching gives way to his passion for golf, the story has moments as elemental and sustaining as the warmth of a fire in the clubhouse hearth.

Pub Date: May 1, 2001

ISBN: 0-684-87362-1

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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