A well-written, fast-paced account that neatly bridges the gap between historical fact and fiction.

BLOOD AND TREASURE

DANIEL BOONE AND THE FIGHT FOR AMERICA'S FIRST FRONTIER

Popular historians Drury and Clavin deliver a ripsnortin’ tale of the early frontier and its first and most powerful legend.

The authors open on a frightful note, depicting a 16-year-old son of Daniel Boone being tortured “on the frozen scree beneath the Cumberland Mountain’s shadow line,” a Shawnee warrior tearing his fingernails and toenails off before finally killing him. Undeterred, Boone led a party of settlers over the Cumberland Gap, made his way into Kentucky, and in time established a walled compound on the Kentucky River. The narrative seldom finds a moment of calm thereafter. As Drury and Clavin observe, the arrival of Whites across the Appalachians began “a slow-motion genocide” for many Native peoples, not least of them the Shawnee, Boone’s principal foe. Boone was unusual for many reasons, not least because he “respected, if not completely understood, the spirituality and philosophy that underpinned [the Natives’] culture” and “never underestimated their intelligence.” Boone’s arrival also figured in a complex series of conflicts that involved France, Britain, Indigenous peoples, and the newly founded U.S. Keeping his fellow settlers alive in the bargain landed Boone in more than one spot of trouble. He was held prisoner by the British, accused of loyalist sympathies by frontier revolutionaries, and, in the end, recognized as a true patriot whose actions kept the British from flanking the Continental Army in the South. A particularly exciting set piece is the authors’ account of a combined British/Canadian/Native siege of Boonesborough in 1778, with bad results for one loud-voiced spokesman for the besiegers: “The next time Pompey showed his face, Collins blew it into the Kentucky River.” The war on the frontier became bloodier still. Though not as comprehensive as John Mack Faragher’s 1992 biography Daniel Boone, this book offers a vivid account of Boone’s frontier years, one that may not be for the faint of heart.

A well-written, fast-paced account that neatly bridges the gap between historical fact and fiction.

Pub Date: April 20, 2021

ISBN: 978-1-250-24713-1

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 14, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A conversational, pleasurable look into McConaughey’s life and thought.

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GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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