by Bob Mustin ‧ RELEASE DATE: April 22, 2016
Often despondent, but the brooding characters will stick in readers’ heads like emotional glue.
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A collection of subdued tales features characters who can neither evade the past nor confront the inevitable future.
John Fromme, narrator of the book’s titular and longest story, is a schizophrenic freelance writer. When his wife, Janet, frantically tells him their son, Ted, is missing, the two eventually find him with John’s mother, Charlene. It seems that Ted, ashamed of his dad’s condition, may want to live with Grandma. But as John and Janet argue with Charlene over who should be Ted’s guardian, readers are privy to John’s skewered perception. Voices in his head, for one, are personified, including look-alikes Lana and Carly, who talk to him as Janet and Charlene’s dispute presses on. Charlene points to the family’s history of mental illness, but John’s recollection of his past soon has him questioning his own memories. Characters in the other five, much shorter stories may not have a clearly defined disorder like John, but they are similarly afflicted. Nathan Ploegger, in “The Offering,” for example, is an American obsessed with finding a strange woman he met while touring the Yucatán, an obsession that may prove disastrous. In “I, Singularity,” Harold, blind since birth, experiences unbearable headaches. Surgery may help, but early tests lead to a surprise that could change Harold’s life as well as his relationship with his clingy sister Tess. In many ways, “Complementarities” is reminiscent of a soap opera, as Frankie’s affair with Juanita, the girlfriend of his pal Jimmy Sheephorn, invariably results in deceit and discontent. But like all of the tales, it’s shackled with an almost cruel predetermination: readers, in this case, know from the beginning that Jimmy’s died horribly. Mustin (We Are Strong, But We Are Fragile, 2013, etc.) rounds out his book with “Object of Affection” and “The Phantom.” In the former, a mother tells of her son Carlos, a celebrity athlete whose rise to fame is curtailed by a faster and miserable drop from the spotlight. The latter and closing story is also the most upbeat: baseball fanatic Karl has a shot at a career in his favorite sport—and his grandfather’s special homemade baseball is along for the ride.
Often despondent, but the brooding characters will stick in readers’ heads like emotional glue.Pub Date: April 22, 2016
ISBN: 978-1-943201-05-1
Page Count: 326
Publisher: AuthorMike Ink
Review Posted Online: March 28, 2016
Kirkus Reviews Issue: May 15, 2016
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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