An engrossing biography of a woman worthy of iconic status.

DEARIE

THE REMARKABLE LIFE OF JULIA CHILD

Published to coincide with what would have been her 100th birthday, this biography of the iconic Julia Child (1912–2004) does full justice to its complex subject.

Spitz (The Saucier's Apprentice: One Long Strange Trip through the Great Cooking Schools of Europe, 2008, etc.) describes the “irrepressible reality” of Child, who became a TV superstar, effectively launching “public television into the spotlight, big-time.” In his view, the 1961 publication of her book, Mastering the Art of French Cooking, came at just the right time. Americans were tired of the preceding “era of dreary button-down conformity,” and they were ready for a gastronomic revolution. Frustrated housewives reading Betty Friedan's groundbreaking The Feminine Mystique welcomed the larger-than-life personality and showmanship of this tall, outspoken woman as she demonstrated the intricacies of French recipes with what appeared to be blithe disregard when things went wrong. Child reveled in her celebrity status, but this was only one aspect of her complex personality. Like most women of her generation born in traditional upper-middle-class homes, she was not expected to have an independent career. A wartime stint in the OSS was liberating. Not only did she hold a highly responsible job, but she met and married career diplomat Paul Child, moving with him to France. Popular accounts of her life, including the book and film Julie and Julia, describe her enchantment with French haute cuisine and her determination to master the skills of a top chef. Spitz captures another side of her complex personality: her fierce diligence in mastering the science as well as the art of cooking through detailed experimentation and her concern to translate the preparation of complex French recipes for readers in America—an attention to detail that carried over to her TV programs.

An engrossing biography of a woman worthy of iconic status.

Pub Date: Aug. 15, 2012

ISBN: 978-0-307-27222-5

Page Count: 432

Publisher: Knopf

Review Posted Online: June 17, 2012

Kirkus Reviews Issue: July 1, 2012

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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