The bleak humor of the surrealism finds a crack in the Iron Curtain.
An often powerful and occasionally unnerving collection of stories from a half-century ago.
The “time of the cult” to which the subtitle refers is “the cult of personality” through which Stalin’s postwar dictatorship extended into Czechoslovakia. Published for the first time in English, the stories in this slim collection represent an era, a country, and an author who are all long gone, yet the timelessness of the best of these stories attests to a human spirit undimmed by the darkest of circumstances. “Life, strangely enough, is constantly being reinvented and loved...,” writes Hrabal (Harlequin’s Millions, 2014, etc.) in “Beautiful Poldi,” the elegiac story that closes the collection and brings the narrative of the titular Mr. Kafka full circle. “It is still magnificent as long as one maintains the illusion that a whole world can be conjured from a tiny patch of earth….Life is fidelity to the beauty that is exploding all around us even, at times, at the cost of our own lives.” The industrial Prague he depicts here finds women who are convicts or prostitutes (or both) relying on their powers of seduction, while men who are merchants, artists, or madmen (or all three) speak of ideals at odds with the survivalist instincts of the animals they have become. In “Ingots,” a doctor of philosophy proclaims, “I believe in people who wrestle with their fate,” while a woman suffers a brutal, dehumanizing gang rape. The psycho-political slapstick of “Betrayal of Mirrors” pivots around the obsessive repetition of a pair of mantras: as an artist insists (mainly to himself), “Can’t stop now! Must keep going!” while a stonemason laments, “It’s not easy being a decent communist these days.” The inscrutability of the opening “Mr. Kafka” leaves the reader off balance, but readers and characters alike adjust to a world gone askew.
The bleak humor of the surrealism finds a crack in the Iron Curtain.Pub Date: Oct. 6, 2015
ISBN: 978-0-8112-2480-2
Page Count: 160
Publisher: New Directions
Review Posted Online: July 28, 2015
Kirkus Reviews Issue: Aug. 15, 2015
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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