DENIAL

A psychobabbly first novel from therapist Comfort, partly redeemed by a couple of mildly engaging subplots. Protagonist Sarah Rinsley certainly fits the stereotype of a single female psychotherapist: repressed, prim, driven, unlovable- -in short, more screwed up than most of her patients. (See David Mamet's House of Games for the prototype.) Sarah is not without her quirks, however; she adores her ill-behaved basset hound, Frank, and retreats to bed with a box of brown sugar and a spoon in times of duress. She has two new men in her life: Nick Arnholt, a handsome, arrogant patient suffering from narcissistic personality disorder, and Humberto Cortazar, a Nicaraguan restaurateur who becomes her hot-blooded Latin lover. Humberto is the only character in the book who transcends clichÇ, but not by much. Nick's life is a veritable cavalcade of twisted but trite episodes: A workaholic attorney, he bounds from woman to woman, all the while grappling with the submerged memory of a youthful sexual relationship with his stepmother. Unresponsive to Sarah's ministrations, he gradually transforms doctor-patient confidence into queasy romantic obsession, stalking Sarah and filching bric-a-brac from her office. Following an unsuccessful suicide attempt, Nick brings Sarah up on false charges of sexual misconduct, and what had been a meandering, yuppified case study with a bit of bedplay tossed in becomes an uninventive courtroom drama populated by a relentless media swarm and a lady lawyer straight out of the tabloids. Faced with the loss of her reputation, Sarah has to fight to preserve her career. In the process, everyone except Humberto gets to have their little catharsis. No amount of tasty sex or soul-searching can compensate for wooden characterization.

Pub Date: March 1, 1995

ISBN: 0-671-89696-2

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 15, 1994

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An enjoyable, cozy novel that touches on tough topics.

THE AUTHENTICITY PROJECT

A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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