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THE STOVEPIPE

An inspirational story of survival and the loving bond between sisters.

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Virag’s memoir paints a bleak portrait of a broken childhood, but her strength shines amid the rubble.

In the early 1940s, Virag and four of her siblings were forced into a big, black car and taken away from their home by the Children’s Aid Society. She was never told why; she was 4 years old. Though poverty-stricken, Virag had always felt love from her mother and an older sister, “Muggs,” who helped care for the younger children (Virag’s mother had 18 children total). Virag’s home life was hardly idyllic—her rowdy older brothers gave her canned molasses to quiet her when she cried from hunger—but it was far better than where she ended up. Plunged into foster care, the children were often abused and used for labor. Virag and her twin sister, Betty, performed grueling, dangerous work on a tobacco farm and were locked in an attic at night with no heat other than a stovepipe, which provided minimal warmth and became a comfort of sorts for the girls. Virag’s plainspoken style makes for a powerful read. At one point, the children are so hungry they eat sassafras leaves. When the girls slice open their bare toes while hoeing, Virag describes how they “simply rinsed off the blood and went back to hoeing.” Readers should prepare to be angered and moved to tears: One of the most heartbreaking scenes involves the rape of Betty when she is 7 years old. But there are better times and even much “whistling in the dark” humor, as the author does a beautiful job of capturing the voices of childhood. The book is a swift, well-written read and not merely an indictment of the foster-care system. There is compassion from some adults, such as a foster-care worker who helped Virag enroll in art classes during her high school years. Amazingly, Virag’s voice is not bitter, as she plumbs the depths of despair and rises above what no child should ever have to endure.

An inspirational story of survival and the loving bond between sisters.

Pub Date: Oct. 1, 2011

ISBN: 978-1936782307

Page Count: 440

Publisher: Langdon Street

Review Posted Online: Feb. 27, 2012

Kirkus Reviews Issue: March 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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