Owens’ debut short story collection features wistful characters as they deal with loneliness and disillusionment.
These tales take place in small Texas towns, California metropoles, Haitian villages, and even heaven itself. In Texas, an only child privately endures the trauma of spiteful, divorcing parents against desolate country backdrops in “A Circle of Stones.” In Haiti, a diplomat’s widow settles into the roomy shell of her former married life in “The Christmas Cathedral,” spending Christmas alone in her late husband’s Pétion-Ville home. In “Le Bon Chapeau,” an enthusiastic parish-school student boards a crowded camion and has a discomfiting encounter with voodoo that shakes his Christian faith. During a California earthquake, an obscure writer’s unrequited love inspires him to make a bold, eccentric gesture in “In Print.” A famous Russian revolutionary joins a rock band in the afterlife and quietly struggles with heaven’s absence of exigencies in “His Red Heaven.” Other stories offer tongue-in-cheek commentary on the writing life. In “My Fame,” a newly recognized author adjusts to the absurdity of sudden notoriety. An undiscovered writer in “The Plagiarist” pens a story so marvelous he literally doesn’t believe that he actually wrote it. In other pieces that are more like prose poems than short stories, Owens honors lost lovers and caregivers, rendering them in dream scenes saturated with longing. As this summary hints, the collection demonstrates remarkable stylistic and environmental range, but never at the expense of craftsmanship. Owens’ characters are dynamic and captivating, and he has a masterful knack for subtle plot work. The atmospherics and emotional gravity of the prose are striking, for the most part, although there are some elements that read as self-indulgent and superficial. The pieces on writing, in particular, come across as opportunities to name-drop and showcase hipness to literary culture. Also, several women in these tales seem like mere tropes—the simple, listening woman; the infantilized housekeeper; and the people-pleaser in awe of a male writer’s “fuck-all attitude.”
An ambitious collection that, in spite of its shortcomings, shows impressive scope and literary ingenuity.Pub Date: June 1, 2018
ISBN: 978-1-944467-09-8
Page Count: 150
Publisher: Brighthorse Books
Review Posted Online: Oct. 17, 2018
Review Program: Kirkus Indie
Categories: GENERAL FICTION
Did you like this book?
The phrase “tour de force” could have been invented for this audacious novel.
19
GET IT
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Categories: GENERAL FICTION
Did you like this book?
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
Categories: GENERAL FICTION | FAMILY LIFE & FRIENDSHIP
Did you like this book?
BOOK TO SCREEN
© Copyright 2023 Kirkus Media LLC. All Rights Reserved.
Follow
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
