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RIVER, CROSS MY HEART

An anemic first novel so well-intentioned that it’s almost painful to point out its myriad deficiencies. In the mid-1920s, Willie Bynum and his wife Alice have moved from North Carolina to Georgetown, D.C., in hopes of a better life for themselves and their daughters, Johnnie Mae and Clara. They warn the girls never to swim in the Potomac River, but ten-year-old Johnnie Mae goes there anyway with a group of friends, and five-year-old Clara accidentally drowns. The novel’s focus is blurred; Clarke can—t seem to decide if the story is about the aftermath of a drowning, Johnnie Mae’s coming of age, or the struggles of an African-American family new to the ways of the city. Unmemorable, underdeveloped characters come and go: a white woman who employs Alice; neighbors and relatives; an almost-mute girl Johnnie Mae befriends. Far too mature for a girl of ten, Johnnie Mae discovers swimming and suffers racial prejudice when she enters a competition. To demonstrate her independent mind, she and a friend sneak into a segregated pool to swim in the dead of night. None of these random events ever come together, though, and the significance of the birth of a baby boy to replace the dead Clara is never explored. Meanwhile, several chapters are little more than filler; late in the story, a beautician and her doctor admirer take up several pages, then fade away. We—re told that Johnnie Mae’s true father is a North Carolina Indian named Sam Logan, but this fact proves to be a red herring and is never utilized. Action is sparse, and the author lacks the linguistic facility necessary for a novel of ideas—not that there are many new ones here. Clarke’s one strength is her use of seemingly authentic period details. Otherwise, an only fair-to-middling effort.

Pub Date: July 7, 1999

ISBN: 0-316-14423-1

Page Count: 256

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1999

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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