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IMMORTALE

A delightful adventure with an idealized hero.

A new-adult fantasy novel invokes the magic of sorcery and stories.

Pierce King has everything figured out. At the age of 26, he’s finally landed his dream job at a major Los Angeles publisher, and he’s poised to marry the woman of his dreams. But his life gets completely scrambled when a strange homeless man attacks him with a book and he finds his world consumed by magic. The novel’s oral storytelling style really sells this transition, which might otherwise feel awkward. Instead, the prose delivers the emergence of magic and the shifts between point-of-view characters with a wink and a nod that keep the tale fun and engaging. Pierce knows he has to return the world to normal to stop the chaos—not to mention saving his fiancee from transforming into a troll—but to do that he’ll have to contend with more than a few supernatural challenges and some beings with vested interests in how the magic shakes out. Along the way, Pierce tries to sort through who his friends and enemies are, from Rex, his childhood pet–cum-dragon, and a fastidious rabbit to the vagrant who started it all and a demon who used to be an orca. Finally, Pierce also has to contend with his own relationship with magic, which goes much deeper than the stories he loved as a child or the ones he brings to life now. Walsh’s (The Serpent League, 2019, etc.) book is, ultimately, a charming adventure yarn that will satisfy many readers. Others may take issue with the story’s tendency to idolize Pierce, whether for his past lives in Arthurian legend or the more mundane fact that he goes from an assistant to a department head in one step. In addition, the tale occasionally implies disparaging things about contemporary SF and fantasy stories more committed to themes, deeper meanings, and representation: “The only thing these piles of nonsense could catch are the attention of people who can’t tell fantasy and current affairs apart.” The novel is captivating when it focuses on its own fun but tiring when it eyes the rest of the genre.

A delightful adventure with an idealized hero.

Pub Date: March 20, 2018

ISBN: 978-1-64119-166-1

Page Count: 252

Publisher: City Lights Press

Review Posted Online: Nov. 19, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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