by Brendan Walsh ‧ RELEASE DATE: Feb. 3, 2023
An elegant novel about the ways pain can shape a man’s personality.
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In Walsh’s debut novel, a Connecticut man survives the hell of war only to lead a lonely peacetime existence back home.
Joe DaSilva grows up in a small town on the banks of the Connecticut River, the son of a Portuguese waterman. He spends his childhood learning to tie knots from his father, getting into trouble with his best friend Bill Crawley, and pining after his childhood crush, Peggy. The week before high school graduation, Joe proposes to Peggy only to be rejected. The brokenhearted Joe quickly enlists in the Navy—there’s a war coming, after all—despite the reservations of his parents. With Bill in tow, Joe sails for Manila just in time to get attacked by the Japanese military (a wounded Bill is shipped to Australia before the coming Japanese invasion, but Joe stays behind and is captured when the Philippines fall). He somehow survives the Bataan Death March, a prison camp, malaria, and dysentery, but when he makes it back to Connecticut at war’s end, he’s a shell of his former self. Even worse, he learns that Peggy and Bill have become engaged in his absence. Resentful of his closest friends and wracked by post-traumatic stress, Joe settles into a stoic life as a mechanic. For the next 40 years, he’s content to repress his memories of the war—and all of his other grievances—until a new waitress takes a job at one of the local restaurants. Leigh Ann and her young daughter, Shelly, are new in town. Shelly spends her days alone at a vacant hotel while Leigh Ann works her shift, and Joe takes it upon himself to keep an eye on the child. As Joe inserts himself into their lives, he can’t help but allow them into his own. In the process, he’s finally forced to deal with the many ghosts of his past.
The author is a skilled storyteller with a knack for bringing scenes to vivid life, whether they depict a bucolic afternoon spent fishing on the river or a terrifying moment from the war: “He was barely able to rise to one knee the night the Japanese burst into camp. The first rifle butt to the back of his head folded the hemispheres of his brain in on each other. He lay there on his side, time out of body, eyes recording the scene like a camera knocked to the ground, still rolling.” The novel takes its time getting started, and the early chapters are burdened with an unfortunate sentimentality. From the point the war commences, however, Walsh weaves an immersive narrative that does not let up for the rest of the book. Even when the story treads into familiar territory—older Joe is reminiscent of any number of late-career Clint Eastwood film performances as a grump waiting to have his heart softened—the author is deft enough at characterization and plotting to keep the material from feeling stale. Those looking for a bighearted tale of PTSD and catharsis will find much to love in Joe’s story.
An elegant novel about the ways pain can shape a man’s personality.Pub Date: Feb. 3, 2023
ISBN: 9781977261120
Page Count: 358
Publisher: Outskirts Press
Review Posted Online: May 3, 2023
Review Program: Kirkus Indie
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by John Green ‧ RELEASE DATE: Sept. 22, 2026
A classic Green portrait of young love…but here the fault is in our social media.
A relationship between young screen actors is magical, fraught, and relentlessly public in Green’s first novel for adults.
“Every movie romance needs an Obstacle, a reason the characters don’t naturally fall into each other.” In the off-screen romance between actors Juniper Castillo and Kai Laramie, the obstacle is a moving target. Juniper notices early on that as flirty and forward as Kai is, he seems “closed off to a romantic connection”; that turns out to be the tip of a very problematic iceberg. The two meet in the lobby of a Pittsburgh hotel where they will be spending the evening with Matthew Malone, the megastar playing Andy Warhol in a movie they’re about to begin shooting, Andy Warhol Never Gets Old. Kai has been cast as Andy’s intern, Juniper as a journalist who gets in over her head. This is Juniper’s first adult role after a long run as a Nickelodeon child star, and newcomer Kai’s first role of any kind. Green evokes in compelling detail all the phases and aspects of the film project, from the table read to the screening of the rough cut, from the social media fanfare to the public premiere and the press junket, moving back and forth between Juniper’s and Kai’s first-person perspectives. In a meeting with one of the ubiquitous publicists, Kai learns that somehow “the high school stuff” he never talks about—despite their growing inseparability and seemingly profound connection, he hasn’t even brought himself to share it with Juniper—has surfaced. Details emerge slowly, then blow up in the media; the book’s third act focuses on the destructive potential of celebrity culture in a climate that makes Warhol’s milieu look innocent by comparison. After a long break from writing fiction—his last two books were Everything Is Tuberculosis (2025) and The Anthropocene Reviewed (2021)—Green fills this novel with carefully observed details of Hollywood culture and characters, including running jokes about vegan cuisine, media training, and the way Kai’s agent constantly and boorishly consults his young female assistant on points of political correctness. Can he talk about “hot girls”? Can he quote T.S. Eliot? OK to say “dog vomit”?
A classic Green portrait of young love…but here the fault is in our social media.Pub Date: Sept. 22, 2026
ISBN: 9780525426073
Page Count: 304
Publisher: Dutton
Review Posted Online: Sept. 4, 2026
Kirkus Reviews Issue: Oct. 15, 2026
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