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Blood Family

A clever, engaging view into dark places.

Awards & Accolades

Our Verdict

  • Our Verdict
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Fantasy and horror blend in Winter’s debut novel about a man who discovers his family’s links to the supernatural. 

The relative normality of Alex Whitfield’s existence is a feat in itself. Between his father’s suicide, his half sister’s disappearance, and his uncle’s arson conviction, it’s miraculous that the worst thing he can point to in his own life is a divorce that he’s basically gotten over. But on the anniversary of his dad’s death, he begins to see that there’s much more to the horrors plaguing his family than mental illness—and that he’s nowhere near free of them. When he sees a vision of his half sister, April, in his bathtub with her wrists cut, his mind strays from the rational, and he fears that he’ll be committed to an institution like his father was. His friend Martha advises him to seek out a reputed witch, who introduces him to the existence of a parallel world to our own. There, he may be able to solve the mystery of his family’s plight and save April’s soul, if not her life. But he’ll have to endure a journey across the country and beyond the bounds of reality in order to fight unimaginable enemies and dangers—not to mention something that could pose the biggest challenge of all: the truth. Overall, this novel has a lot to recommend it, especially its complex set of characters, including protagonists and antagonists who provide clear context to Alex’s life and to the more fantastic elements of the story. The prose is clear and crisp throughout but never rushed, giving the tension plenty of time to build. Winter also makes sure the emotional elements of the story—fear, grief, uncertainty—fully hit the reader. The character of Alex is the true core of the novel; his skepticism masks his deep-seated insecurities and fears, and his detachment eventually resolves into a compelling form of courage.

A clever, engaging view into dark places. 

Pub Date: Jan. 14, 2017

ISBN: 978-1-5412-6147-1

Page Count: 396

Publisher: N/A

Review Posted Online: Feb. 20, 2017

Kirkus Reviews Issue: April 15, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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