Memorable characters inhabit a surprising, engaging story of American idealism and its dark opposite.
An impressive debut novel tells a wide-ranging story of mysterious connections among vividly rendered characters in 20th-century America.
This novel’s nine chapters stretch across four decades at intervals of five years. Each has a different main character, and their settings crisscross the country. The book opens in 1947 with Oliver Danville, a “washed-up stage actor” and pool shark, who witnesses a friend’s murder and decides to change his life. When he reads a newspaper story about a military pilot who saw a group of UFOs, the “shiny objects” of the title, he’s galvanized by a vision of a better world. After a chance meeting with a farm family, Oliver takes off, farmer and wife in tow, for the West. Five years later, Oliver, now called the Tzadi Sophit, is the leader of a California cult that aims to create a multiracial utopia. In 1957, he and his followers move across the country into a newly built town adjacent to a Long Island suburb and are violently attacked by some of their neighbors. The echoes of that terrible night shape the main characters in the rest of the chapters: a young black man embarking on an intellectual life in Harlem, a salesman in Florida who makes a wild career change, a woman who hosts a conspiracy-theory radio show in Phoenix, another woman whose husband was the ringleader of the attack, a teenage girl whose grandparents and parents were targets of the attack, and finally an old man, the son of Oliver’s first followers, still on their farm and haunted by the ghost of his brother. Several characters recur, including Max Felt, who was a boy during the attack and grows up to be a rock star and something of a cult leader himself. Max and Oliver remain mysterious characters whose thoughts the reader has little access to, and the plot is built around mysteries as well—many chapters end in a cliffhanger without resolution. But Castleberry maintains deft control of the novel’s arc, making satisfying connections and bringing rich characters to life.
Memorable characters inhabit a surprising, engaging story of American idealism and its dark opposite.Pub Date: June 30, 2020
ISBN: 978-0-06-298439-5
Page Count: 336
Publisher: Custom House/Morrow
Review Posted Online: April 12, 2020
Kirkus Reviews Issue: May 1, 2020
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
An emotionally acute study of manliness.
Scenes from the life of a well-off but emotionally damaged man.
Szalay’s sixth novel is a study of István, who as a 15-year-old in Hungary is lured into a sexual relationship with a married neighbor; when he has a confrontation with the woman’s husband, the man falls down the stairs and dies. Add in stints in a juvenile facility and as a soldier in Iraq, and István enters his 20s almost completely stunted emotionally. (Saying much besides “Okay” sometimes seems utterly beyond him.) Fueled by id, libido, and street drugs, he seems destined to be a casualty until, while working as a bouncer at a London strip club, he helps rescue the owner of a security firm who’s been assaulted; soon, he’s hired as the driver for a tycoon and his wife, with whom he begins an affair. István is a fascinating character in a kind of negative sense—he’s intriguing for all the ways he fails to confront his trauma, all the missed opportunities to find deeper connections. To that end, Szalay’s prose is emotionally bare, deliberately clipped and declarative, evoking István’s unwillingness (or incapacity) to look inside himself; he occasionally consults with a therapist, but a relentless passivity keeps him from opening up much. His capacity to fail upwards eventually catches up with him, and the novel becomes a more standard story about betrayal and inheritances, but it also turns on small but meaningful moments of heroism that suggest a deeper character than somebody who, as someone suggests, “exemplif[ies] a primitive form of masculinity.” István’s relentlessly stony approach to existence grates at times—there are a few too many “okay”s in the dialogue—but Szalay’s distanced approach has its payoffs. Being closed off, like István, doesn’t close off the world, and at times has tragic consequences.
An emotionally acute study of manliness.Pub Date: April 1, 2025
ISBN: 9781982122799
Page Count: 368
Publisher: Scribner
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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