Whether readers are familiar with Dr. Seuss books or not, they will find this biography absorbing and fascinating.
A rich, anecdotal biography of one of the bestselling authors in publishing history.
Theodor Seuss Geisel (1904-1991), aka Dr. Seuss, created more than 60 books, classified mostly as readers for children. However, as Jones (George Lucas: A Life, 2016, etc.) points out in this engaging, page-turning work of Seuss scholarship, Geisel was writing and illustrating for children and adults simultaneously. Some of his books could be considered in the vanguard of activism about environmental degradation (The Lorax), nuclear war (The Butter Battle Book), and an increasingly geriatric society (You’re Only Old Once and Oh, the Places You’ll Go). During his Massachusetts childhood and education at Dartmouth and then Oxford, Geisel developed his talent for drawing comic figures; early in his career, he earned his livelihood as a creator of advertisements for commercial products, including an insecticide. The shift to writing books for children occurred gradually, surprising almost everybody, including Geisel himself, who never had children. Used to being perceived as a funny guy, Geisel evolved into a serious thinker about how to develop books that would encourage children to read while also enjoying the learning process. Jones is particularly masterful in this vein, showing how Geisel, his wife, publisher Bennett Cerf, and other key collaborators collectively revolutionized reading education, with Dr. Seuss always reserving the final say. “Nearly thirty years after his death,” writes the author, “books by Dr. Seuss still sell as well and as fast as ever, rivaled only by the Harry Potter books by the brilliant J.K. Rowling—Geisel’s natural heir, as she reignited the same love for books in today’s young readers that Dr. Seuss had first sparked…fifty years earlier.” Though the narrative is strictly chronological, it never bogs down because the character sketches and publishing anecdotes are so well-rendered, and Jones is especially skillful with foreshadowing. Although sometimes exasperating to work with because of his exacting standards, Geisel comes across as a mostly kind, well-intentioned person.
Whether readers are familiar with Dr. Seuss books or not, they will find this biography absorbing and fascinating.Pub Date: May 7, 2019
ISBN: 978-1-5247-4278-2
Page Count: 496
Publisher: Dutton
Review Posted Online: March 2, 2019
Kirkus Reviews Issue: March 15, 2019
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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