A solid biography that can be enjoyed by readers of more than one generation.

JIM HENSON

THE BIOGRAPHY

Biographer Jones (Washington Irving: An American Original, 2007) relies on strict chronology to tell the life of Muppets creator Jim Henson (1936–1990).

With the cooperation of the Henson family, the author portrays his subject as not only innovative, but also mostly upbeat and pleasant to work with. Since the Muppets are mostly feel-good creations and Henson was mostly a feel-good guy, the biographical narrative sometimes lacks tension. That is a minor shortcoming, however. Jones is masterful at explaining how Henson grew up to become a daring puppeteer and scriptwriter, how he managed to attract so much remarkable talent to his side, and how his stressful business relationship with the Disney Company might have aggravated the bacterial infection that weakened the normally healthy Henson, who died at age 53 while trying to negotiate the planned Disney purchase of the franchise. (Note: While there was speculation at the time of his death that the Disney negotiations had a detrimental effect on Henson's health, there is no medical proof that this was the case.) Jones does not ignore Henson's separation from his wife/creative partner, nor his extramarital affair with a much younger woman, but the downside of Henson's personality is not Jones' primary focus. In an era of pathography, this biography stands out as positive. The writing is clear throughout, and the chronological approach allows Jones to clearly demonstrate cause and effect. Forced to become a businessman to manage what became an unexpectedly large empire, Henson often struggled with the portion of his days that felt noncreative. Jones continually shows that Henson left the world a better place, which serves as the book's theme. The author ably shows many reasons why Kermit the Frog, Miss Piggy and many other Henson creations are recognizable more than two decades after his death.

A solid biography that can be enjoyed by readers of more than one generation.

Pub Date: Sept. 24, 2013

ISBN: 978-0-345-52611-3

Page Count: 592

Publisher: Ballantine

Review Posted Online: June 25, 2013

Kirkus Reviews Issue: July 15, 2013

Did you like this book?

No Comments Yet

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

Did you like this book?

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Did you like this book?

more