A solid biography that can be enjoyed by readers of more than one generation.
Biographer Jones (Washington Irving: An American Original, 2007) relies on strict chronology to tell the life of Muppets creator Jim Henson (1936–1990).
With the cooperation of the Henson family, the author portrays his subject as not only innovative, but also mostly upbeat and pleasant to work with. Since the Muppets are mostly feel-good creations and Henson was mostly a feel-good guy, the biographical narrative sometimes lacks tension. That is a minor shortcoming, however. Jones is masterful at explaining how Henson grew up to become a daring puppeteer and scriptwriter, how he managed to attract so much remarkable talent to his side, and how his stressful business relationship with the Disney Company might have aggravated the bacterial infection that weakened the normally healthy Henson, who died at age 53 while trying to negotiate the planned Disney purchase of the franchise. (Note: While there was speculation at the time of his death that the Disney negotiations had a detrimental effect on Henson's health, there is no medical proof that this was the case.) Jones does not ignore Henson's separation from his wife/creative partner, nor his extramarital affair with a much younger woman, but the downside of Henson's personality is not Jones' primary focus. In an era of pathography, this biography stands out as positive. The writing is clear throughout, and the chronological approach allows Jones to clearly demonstrate cause and effect. Forced to become a businessman to manage what became an unexpectedly large empire, Henson often struggled with the portion of his days that felt noncreative. Jones continually shows that Henson left the world a better place, which serves as the book's theme. The author ably shows many reasons why Kermit the Frog, Miss Piggy and many other Henson creations are recognizable more than two decades after his death.
A solid biography that can be enjoyed by readers of more than one generation.Pub Date: Sept. 24, 2013
ISBN: 978-0-345-52611-3
Page Count: 592
Publisher: Ballantine
Review Posted Online: June 24, 2013
Kirkus Reviews Issue: July 15, 2013
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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