by Brian Warburton illustrated by Janine Johnston ‧ RELEASE DATE: July 11, 2013
An intriguing but flawed update of a classic fairy tale.
Warburton (Sappers Six, 2010) tells a Cinderella story about a British teen working at a superstore.
Oliver Goodfellow sits in a wet parking lot bemoaning his job collecting shopping carts, as he’d rather be studying architecture. His three “grotty” (unattractive) co-workers, meanwhile, always put him down. Bob, Charlie and Jack—a group Oliver calls “the grot”—are portrayed as looking just like Oliver, but with unpleasant expressions and gorillalike limbs. A daydreaming Oliver recalls reading “Cinderella” to his young cousin: “Since I’m a boy he thought that story would never happen to me.” The grot interrupts Oliver’s reverie as they leave for a party at the Disco Club; Oliver, unfortunately, has to stay and work. In the parking lot, he meets Teresa, a “ ‘drop-dead’ pretty” rollerblading girl. Not only does she have tickets to the bash, but she also convinces her father, the store manager, to let Oliver leave—as long as he collects all the trolleys by 10 p.m. Oliver’s delighted but worries about his work clothes. Teresa—serving as fairy godmother and princess—borrows stylish clothes and athletic shoes from the store’s sample bin. Oliver pushes her to the party in a Christmas-decorated trolley, and they create a stir on the dance floor. The grot is amazed: “ ‘Cor!’ was all that they could say.” Oliver slips away just before 10. The next morning, Oliver gets a better job inside the store, and Charlie pulls trolley duty. Teresa, confused by the switch, can’t tell which boy was her dance partner. Oliver, although puzzled, decides to have some fun, suggesting that each boy try on the returned trainers to see if they fit. Soon, Teresa and Oliver are reunited, and everyone laughs about the turnabout Cinderella tale. While the idea of recasting this age-old story in the workaday world has some potential, readers may find this version’s text to be overly wordy and stilted and its illustrations rather stiff. Younger picture-book readers may have difficulty relating to the older characters. The story is also so filled with obscure British expressions that it may not appeal to some American audiences.
An intriguing but flawed update of a classic fairy tale.Pub Date: July 11, 2013
ISBN: 978-1481769822
Page Count: 32
Publisher: AuthorHouse
Review Posted Online: Oct. 1, 2013
Review Program: Kirkus Indie
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by Marti Dumas illustrated by Stephanie Parcus ‧ RELEASE DATE: Nov. 11, 2017
In more ways than one, a tale about young creatures testing their wings; a moving, entertaining winner.
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A fifth-grade New Orleans girl discovers a mysterious chrysalis containing an unexpected creature in this middle-grade novel.
Jacquelyn Marie Johnson, called Jackie, is a 10-year-old African-American girl, the second oldest and the only girl of six siblings. She’s responsible, smart, and enjoys being in charge; she likes “paper dolls and long division and imagining things she had never seen.” Normally, Jackie has no trouble obeying her strict but loving parents. But when her potted snapdragon acquires a peculiar egg or maybe a chrysalis (she dubs it a chrysalegg), Jackie’s strong desire to protect it runs up against her mother’s rule against plants in the house. Jackie doesn’t exactly mean to lie, but she tells her mother she needs to keep the snapdragon in her room for a science project and gets permission. Jackie draws the chrysalegg daily, waiting for something to happen as it gets larger. When the amazing creature inside breaks free, Jackie is more determined than ever to protect it, but this leads her further into secrets and lies. The results when her parents find out are painful, and resolving the problem will take courage, honesty, and trust. Dumas (Jaden Toussaint, the Greatest: Episode 5, 2017, etc.) presents a very likable character in Jackie. At 10, she’s young enough to enjoy playing with paper dolls but has a maturity that even older kids can lack. She’s resourceful, as when she wants to measure a red spot on the chrysalegg; lacking calipers, she fashions one from her hairpin. Jackie’s inward struggle about what to obey—her dearest wishes or the parents she loves—is one many readers will understand. The book complicates this question by making Jackie’s parents, especially her mother, strict (as one might expect to keep order in a large family) but undeniably loving and protective as well—it’s not just a question of outwitting clueless adults. Jackie’s feelings about the creature (tender and responsible but also more than a little obsessive) are similarly shaded rather than black-and-white. The ending suggests that an intriguing sequel is to come.
In more ways than one, a tale about young creatures testing their wings; a moving, entertaining winner.Pub Date: Nov. 11, 2017
ISBN: 978-1-943169-32-0
Page Count: 212
Publisher: Plum Street Press
Review Posted Online: Feb. 22, 2018
Kirkus Reviews Issue: April 15, 2018
Review Program: Kirkus Indie
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by Paul Langan Ben Alirez ‧ RELEASE DATE: Jan. 1, 2004
A YA novel that treats its subject and its readers with respect while delivering an engaging story.
In the ninth book in the Bluford young-adult series, a young Latino man walks away from violence—but at great personal cost.
In a large Southern California city, 16-year-old Martin Luna hangs out on the fringes of gang life. He’s disaffected, fatherless and increasingly drawn into the orbit of the older, rougher Frankie. When a stray bullet kills Martin’s adored 8-year-old brother, Huero, Martin seems to be heading into a life of crime. But Martin’s mother, determined not to lose another son, moves him to another neighborhood—the fictional town of Bluford, where he attends the racially diverse Bluford High. At his new school, the still-grieving Martin quickly makes enemies and gets into trouble. But he also makes friends with a kind English teacher and catches the eye of Vicky, a smart, pretty and outgoing Bluford student. Martin’s first-person narration supplies much of the book’s power. His dialogue is plain, but realistic and believable, and the authors wisely avoid the temptation to lard his speech with dated and potentially embarrassing slang. The author draws a vivid and affecting picture of Martin’s pain and confusion, bringing a tight-lipped teenager to life. In fact, Martin’s character is so well drawn that when he realizes the truth about his friend Frankie, readers won’t feel as if they are watching an after-school special, but as though they are observing the natural progression of Martin’s personal growth. This short novel appears to be aimed at urban teens who don’t often see their neighborhoods portrayed in young-adult fiction, but its sophisticated characters and affecting story will likely have much wider appeal.
A YA novel that treats its subject and its readers with respect while delivering an engaging story.Pub Date: Jan. 1, 2004
ISBN: 978-1591940173
Page Count: 152
Publisher: Townsend Press
Review Posted Online: Jan. 26, 2013
Review Program: Kirkus Indie
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