by Brooke Dyer & illustrated by Brooke Dyer ‧ RELEASE DATE: April 1, 2003
The daughter of illustrator Jane Dyer debuts with similarly elegant, understated, richly colored illustrations for 21 lullabies from the likes of Eve Merriam, Margaret Wise Brown, Sylvia Plath, and Eugene Field. In keeping with tradition, the rhythms are often more restful than the semantic content: Malachy Doyle writes of a “Dancing Tiger,” Andrew Matthews envisions a “Dream Horse, fiery red / Showering sparks as I shake my head,” and Jack Prelutsky’s contribution opens, “Last night I dreamed of chickens, / There were chickens everywhere, / They were standing on my stomach, / they were nesting in my hair.” Dyer declines to take up the challenge of Brian Patten’s “Mooning,” preferring to populate her twilit landscapes with woolly sheep, autumnal trees, and drowsy children, all beneath a huge, benevolent moon. Though not the most irresistibly somniferous bedtime reading, the selections are nonetheless a pleasing mix of chestnuts and fresh takes. (Picture book/poetry. 5-8)
Pub Date: April 1, 2003
ISBN: 0-316-17474-2
Page Count: 32
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2003
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by Sheila Hamanaka ‧ RELEASE DATE: Aug. 1, 1994
This heavily earnest celebration of multi-ethnicity combines full-bleed paintings of smiling children, viewed through a golden haze dancing, playing, planting seedlings, and the like, with a hyperbolic, disconnected text—``Dark as leopard spots, light as sand,/Children buzz with laughter that kisses our land...''— printed in wavy lines. Literal-minded readers may have trouble with the author's premise, that ``Children come in all the colors of the earth and sky and sea'' (green? blue?), and most of the children here, though of diverse and mixed racial ancestry, wear shorts and T-shirts and seem to be about the same age. Hamanaka has chosen a worthy theme, but she develops it without the humor or imagination that animates her Screen of Frogs (1993). (Picture book. 5-7)
Pub Date: Aug. 1, 1994
ISBN: 0-688-11131-9
Page Count: 32
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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by Eloise Greenfield & illustrated by Jan Spivey Gilchrist ‧ RELEASE DATE: Jan. 1, 2003
Iffy art cramps this 25th-anniversary reissue of the joyful title poem from Greenfield’s first collection (1978), illustrated by the Dillons. As timeless as ever, the poem celebrates everything a child loves, from kissing Mama’s warm, soft arm to listening to a cousin from the South, “ ’cause every word he says / just kind of slides out of his mouth.” “I love a lot of things / a whole lot of things,” the narrator concludes, “And honey, / I love ME, too.” The African-American child in the pictures sports an updated hairstyle and a big, infectious grin—but even younger viewers will notice that the spray of cool water that supposedly “stings my stomach” isn’t aimed there, and that a comforter on the child’s bed changes patterns between pages. More problematic, though, is a dropped doll that suddenly acquires a horrified expression that makes it look disturbingly like a live baby, and the cutesy winged fairy that hovers over the sleeping child in the final scene. The poem deserves better. (Picture book/poetry. 6-8)
Pub Date: Jan. 1, 2003
ISBN: 0-06-009123-1
Page Count: 32
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2002
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