Shields writes with considerable reflection; she’s done the hard work of making sense of the contradictions in her mother,...
Shields reflects on the protective—and stifling—relationship between her and her mother.
Different generations of people know the actress from different phases of her lengthy TV and film career. She began as a model at 11 months old and would go on to star in popular movies such as Endless Love and The Blue Lagoon. She continued in TV with Suddenly Susan and has spent years as a strong advocate for treatment of postpartum depression. In some ways, she is an aberration: Many child stars shine brightly for a short time and then either retreat to a private adulthood or end up in some poorly considered variation of a Miley Cyrus–type lifestyle. Shields’ more dignified path through life is in no small part thanks to her mother, Teri, and following her death in 2012, Shields was horrified to find the obituary rife with misrepresentations. This book is her effort to set the story straight. As Shields notes in the introduction, it’s not an effort “to idealize her or condemn her,” and the narrative walks a line between the two, detailing the efforts her mother made—mostly successful—to walk her own fine line between being her daughter’s promoter and being her mother. As the author’s social sphere expanded, she and her mother were like two different planets, pulling in other actors and actresses, high-society couples and directors. At times, their intense gravity worked against each other, but Shields continued her ascent. Teri found herself in the grip of a battle with alcohol, and as the book shows, her addiction became a powerful, destructive third force.
Shields writes with considerable reflection; she’s done the hard work of making sense of the contradictions in her mother, and now we get the benefit of her sharing what she’s learned.Pub Date: Nov. 18, 2014
ISBN: 978-0525954842
Page Count: 336
Publisher: Dutton
Review Posted Online: Oct. 8, 2014
Kirkus Reviews Issue: Oct. 15, 2014
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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