by Bruce Holsinger ‧ RELEASE DATE: April 21, 2015
A cautionary tale that argues powerfully against handgonnes and their modern descendants.
Second installment in Holsinger’s series starring medieval detective John Gower.
While investigating a grisly mass murder—the bodies of 16 men were dumped in a London sewer—Gower makes the startling discovery that all were, apparently, killed by a recent innovation: a rudimentary rifle known as a “handgonne.” As in the previous volume (A Burnable Book, 2014), the narration occasionally shifts away from Gower to the voices of others whose connections to the central mystery emerge in increments. Stephen Marsh, a blacksmith whose error in tipping a cauldron of molten metal caused his master’s death, has been sentenced to 10 years’ indenture to the master’s widow, Hawisia. Marsh’s skills have attracted the attention of Snell, chief armorer to King Richard. Soon Marsh is crafting handgonnes at night, without Hawisia’s knowledge, or so he thinks. Robert and Margery, disguised as pilgrims, are on the road north, having broken out of jail. (She’s wanted for killing her brutal husband and he for poaching the king’s game.) They may have escaped just in time to avoid the fate of the sewer-bound 16. After happening on a forest splintered by shot, Gower and his best friend, Chaucer, are briefly detained by the Duke of Gloucester. Another massacre occurs: a surprise attack on a busy Calais market with handgonnes—a more unwieldy variant that requires two men to shoot. The killers wear armbands of cloth bearing Gloucester’s heraldry of intertwined swans; similar badges were found on 10 of the London victims. To employ parlance never stooped to by Holsinger, is someone trying to frame Gloucester? One of the chief delights here is the language, which convincingly mimics Chaucerian speech. Exhaustive detail on London infrastructure and the newly forged handgun industry can sometimes stultify compared to the vivid scenes of daily life circa 1386: the endless bribery required to get anything done, the struggles of women high and low, even Gower’s losing battle with what appears to be encroaching macular degeneration.
A cautionary tale that argues powerfully against handgonnes and their modern descendants.Pub Date: April 21, 2015
ISBN: 978-0-06-235645-1
Page Count: 432
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Caitlin Mullen ‧ RELEASE DATE: March 3, 2020
A lyrical, incisive, and haunting debut.
In Atlantic City, the bodies of several women wait to be discovered and a young psychic begins having visions of terrible violence.
They are known only as Janes 1 through 6, the women who have been strangled and left in the marsh behind the seedy Sunset Motel. They wait for someone to miss them, to find them. That someone might be Clara, a teenage dropout who works the Atlantic City strip as a psychic and occasionally has visions. She can tell there's something dangerous at work, but she has other problems. To pay the rent, she begins selling her company, and then her body, to older men. One day she meets Lily, another young woman who'd escaped the depressing decay of Atlantic City for New York only to be betrayed by a man. She’s come back to AC because there’s nowhere else to go, and she spends her time working a dead-end job and drinking herself into oblivion. Together, Clara and Lily may be able to figure out the truth—but they will each lose something along the way. Mullen’s style is subtle, flowing; she switches the narrative voice with each chapter, giving us Clara and Lily but also each of the victims. At the heart of the novel lies the bitter observation that “Women get humiliated every day, in small stupid ways and in huge, disastrous ones.” Mullen writes about all the moments that women compromise themselves in the face of male desire and male power and how they learn to use sex as commerce because “men are always promised this, no matter who they are.” The other major character in the novel is Atlantic City itself: fading; falling to ruin; promising an old sort of glamour that no longer exists; swindling sad, lonely people out of their money. This backdrop is unexpected and well rendered.
A lyrical, incisive, and haunting debut.Pub Date: March 3, 2020
ISBN: 978-1-9821-2748-0
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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