Lucas’ novel, Part 1 in a three-part series, tells of a young woman’s coming-of-age in the 1960s.
Kristine Harmon may be young, beautiful and quick with a gun (due to frequent hunting and shooting range trips with her father), but her small-town life is far from easy. With a controlling father who regularly rapes her and a largely indifferent mother, Kristine’s existence is a nightmare. As one character puts it, “Her father is crazy and her mother doesn’t seem to give a shit.” However, when fellow high school marching band member Daniel steps into the picture, Kristine’s lonely suffering begins to diminish. Daniel may not be as smart or athletic as many of the boys in the town of New Castle, but he’s kind and gentle with Kristine. As the two build a relationship together, Kristine’s father becomes outraged; as the respected local police chief, he’s free to express his outrage in any way he sees fit. What can a poor boy like Daniel—with his hardworking mother and his shellshocked father—do against a villain as powerful as Kristine’s father? How will Kristine survive the torment and, judging by the number of guns in circulation in this small town, the violence that is to follow? Successful in creating a truly menacing antagonist, the novel takes a serious angle on the woes of being a teenager. Kristine’s father is, after all, not merely manipulative; he’s legitimately evil. Kristine’s survival provides an intriguing conflict that calls for both external support and inner strength. Dipping occasionally into high school clichés—“We just started dating and I like you very much. I don’t know if I could stand to leave you at the end of the summer”—the novel culminates in a bloody scene that hardly spells the end of Kristine’s troubles. Readers will be eager to see how one teenage girl’s unimaginable situation turns out.

Engaging teen turmoil that only rarely slips into cliché.

Pub Date: May 16, 2012

ISBN: 978-1477434901

Page Count: 226

Publisher: CreateSpace

Review Posted Online: Aug. 11, 2014

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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