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Color War

A NOVEL

An evocative, nostalgic coming-of-age tale and examination of bigotry.

Awards & Accolades

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A teenager at an East Texas summer camp in 1974 gets involved in a racial dispute in McCandless’ (Sour Lake, 2011) second novel.

The peace-and-love ’60s has devolved into the drug-addled ’70s, and 14-year-old high school student Tommy Lothrup is trying to navigate his way through a confused world. When his parents go off on a summer business trip, he’s sent to Camp Alexandra, known as “Alex,” a seedy summer camp that divides campers into two competing Native American tribes. Although many consider him a longhaired, pot-smoking hippie, Tommy quickly gains a reputation as a cerebral sort and wins friends. He meets a young African-American girl named Alyssha, who works in Alex’s kitchen, and the two become friends, although Tommy hopes that it’s more than just platonic. Unfortunately, racial prejudice is alive and well in East Texas and Tommy finds himself having to try to defuse a bad situation before something terrible happens. McCandless has crafted a multilayered novel. On the one hand, it may bring back memories of high school and holding onto one’s youth while moving relentlessly toward adulthood. On another level, the book is a searing examination of the insidious ways that racial hatred destroys people and relationships. The book also offers a nostalgic trip for anyone who ever attended summer camp and provides a clear snapshot of 1974. Readers who lived then will recognize such references as Boone’s Farm strawberry wine and the popular book Chariots of the Gods?. McCandless also provides engaging descriptions—“The stars skipped around me like living things”—and fills the book with humor: “Jack burped. I called, and raised.” Although the story takes place more than 40 years ago, it’s one that still has relevance in America today.

An evocative, nostalgic coming-of-age tale and examination of bigotry. 

Pub Date: Nov. 4, 2014

ISBN: 978-0-692-26010-4

Page Count: 106

Publisher: Ninth Planet

Review Posted Online: Sept. 24, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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