Transcends the common thriller while examining contemporary disregard for privacy.
A compelling, thoughtful thriller that follows a couple’s attempt to escape danger.
In a world where we are forever watching and being watched, can anyone truly keep a secret? This question churns at the center of Miles’ (The Shootings At Summerhill High School, 2012) novel, a tale of deception and intrigue that also serves as a troubling commentary on the loss of privacy. Blissfully celebrating their first anniversary, newlyweds Derrick and Rhiannon Brewster escape to a remote cabin in the mountains. While eating at a restaurant just before their retreat, they witness a horrifying murder. Sen. Wilkins, suspected of being behind a brutal political campaign designed to shut out the democratic candidate, is accosted by an eager young journalist. The senator pulls a gun on the young man and kills him in front of a restaurant full of witnesses; it’s caught on video for good measure. Predictably, the video goes viral, both on news channels and, in an uncut version, all over the Internet. Derrick, a journalist, now finds his job hanging in the balance for having fled the scene of the crime rather than reporting it. Rhiannon’s unwitting appearance in the video astounds one viewer. Rhiannon had foiled Marc David Anthony’s attempt at creating an international data mining operation; she then took on a new identity and went into hiding, unbeknownst to her new husband. Anthony tracks Rhiannon and sends professional hitmen to her house, making it clear he’s thirsty for revenge. The couple soon lands in intense danger, needing to find strength from within themselves and from each other. Suspenseful and captivating, Derrick and Rhiannon’s story brims with love and intrigue as they travel the country in search of safety. Miles tells a fast-paced story that explores what can happen to a couple when they find themselves in extraordinary circumstances.
Transcends the common thriller while examining contemporary disregard for privacy.Pub Date: Dec. 18, 2012
ISBN: 978-1480272569
Page Count: 260
Publisher: CreateSpace
Review Posted Online: March 7, 2013
Kirkus Reviews Issue: April 15, 2013
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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