Next book

WATERBORNE

Ambitious and ultimately successful. Like the big dam.

Construction of the Hoover Dam attracts a fine cast of characters in a solid debut.

The lives of three heartbroken people—an engineer, a young divorcée, and a furious young fighter—converge in southern Nevada, the only healthy spot in an equally heartbroken and battered country in the last days of the Hoover administration. Young engineer Filius Poe brings a stellar resume from his Wisconsin home after years of increasingly responsible positions building minor dams. Emotionally numb following the sailing death of his nine-year-old son and the sympathetic death of his wife, burdens for which he blames himself, Poe is living only to work, smoke, and drink. Lena McCardell has fled her lifetime home in Oklahoma with her young son Burr after the discovery of her salesman husband’s bigamy. Pint-sized professional ruffian Lew Beck has scuttled in from Los Angeles, leaving behind his clueless immigrant parents, a trail of barely breathing bodies, and the humanity he lost in childhood. These three, and a dozen or so carefully sketched supporting characters, join the thousands of workers, some professional but most barely skilled, using brute force and brilliant engineering to wrench the Colorado River from its course in order to build the biggest dam in the world, a marvel that will plug in the desert and make today’s Las Vegas possible. The sweet, careful, mutual attractions of Lena and Filius and of the engineer for the boy are handled skillfully, as is the terrifying malevolence of the increasingly murderous Beck, who haunts the story as powerfully as Iago. The construction scenes are as clear and compelling as the newsreels and documentary films in which writer Murkoff must have steeped himself. Detracting only slightly is the tendency of characters to speak either in expository prose or ’30s movie dialogue, the dark side of watching too many newsreels.

Ambitious and ultimately successful. Like the big dam.

Pub Date: Feb. 28, 2004

ISBN: 1-4000-4038-8

Page Count: 400

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2004

Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Close Quickview