Ambitious and ultimately successful. Like the big dam.
Construction of the Hoover Dam attracts a fine cast of characters in a solid debut.
The lives of three heartbroken people—an engineer, a young divorcée, and a furious young fighter—converge in southern Nevada, the only healthy spot in an equally heartbroken and battered country in the last days of the Hoover administration. Young engineer Filius Poe brings a stellar resume from his Wisconsin home after years of increasingly responsible positions building minor dams. Emotionally numb following the sailing death of his nine-year-old son and the sympathetic death of his wife, burdens for which he blames himself, Poe is living only to work, smoke, and drink. Lena McCardell has fled her lifetime home in Oklahoma with her young son Burr after the discovery of her salesman husband’s bigamy. Pint-sized professional ruffian Lew Beck has scuttled in from Los Angeles, leaving behind his clueless immigrant parents, a trail of barely breathing bodies, and the humanity he lost in childhood. These three, and a dozen or so carefully sketched supporting characters, join the thousands of workers, some professional but most barely skilled, using brute force and brilliant engineering to wrench the Colorado River from its course in order to build the biggest dam in the world, a marvel that will plug in the desert and make today’s Las Vegas possible. The sweet, careful, mutual attractions of Lena and Filius and of the engineer for the boy are handled skillfully, as is the terrifying malevolence of the increasingly murderous Beck, who haunts the story as powerfully as Iago. The construction scenes are as clear and compelling as the newsreels and documentary films in which writer Murkoff must have steeped himself. Detracting only slightly is the tendency of characters to speak either in expository prose or ’30s movie dialogue, the dark side of watching too many newsreels.
Ambitious and ultimately successful. Like the big dam.Pub Date: Feb. 28, 2004
ISBN: 1-4000-4038-8
Page Count: 400
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2004
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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