There's a funky domestic intimacy about this account of a middle-aged hippie trying to hang on to his youthful ideals and his gorgeous 21-year-old girlfriend who wants a job on Wall Street. Contrived yippie vs. yuppie conflict? In part, but Dick Howser, the first-person narrator of ad-exec Palmer's first novel, is a shrewd and engaging character. He's overweight, runs a junk store in Woodstock, N.Y., and is deep into midlife crisis and annoying power games, but he also has a heart, taking in both Leslie Zack, a senior at the local college who needs lodging after her dorm burns down, and his long-lost ten-year-old son Howard, a love child, who has hated him for having been an absentee dad and who shows up with his mother's ashes stored in a peanut brittle can. Dick, your basic lonely guy, adores both kids; but the sex scenes between him and the rather vacuous Leslie are more acrobatic than emotional, and the prose is excessively purple at times. More heartfelt is the bonding that finally takes place between father and son. ``Howard, please forgive me! Please let me love you!'' Dick tearfully implores. Howard, meanwhile, has his eye on Leslie as a replacement mom. He joins Dad in a complex conspiracy to keep her at home, protected from naughty New York City—whose latest serial criminal is the dreaded ``Butt Biter.'' One strategy by the senior Howser involves a ``love strike,'' in which Dick ignores Leslie, assuming a ``Shamanic State of Consciousness''—separating his mind from his body. But eventually the varied plans backfire badly, in large part because Dick, fearing bad karma throughout eternity, needs to confess. A crude, sexist, sometimes homophobic fairy tale, but often great fun—like the mud of Woodstock Nation.
Pub Date: Aug. 17, 1994
ISBN: 0-517-59919-8
Page Count: 256
Publisher: Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1994
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
