by Bruce Parkinson Spang ‧ RELEASE DATE: June 17, 2025
A consistently rich and rewarding poetry collection about being true to oneself.
Spang delves into his tormented past, sexual identity, and lifelong search for authenticity in this emotionally layered poetry collection.
Initially, the poems in this collection focus on the author’s coming of age. In “The Child of Frankenstein,” Spang describes himself as a third grade boy with “buckteeth, / a crewcut, and a body mom / called ‘husky.’” In “Tutorial,” he experiences his first French kiss with a friend named Michael. When a friend shares a Playboy magazine with him in “Unbecoming a Man,” Spang is indifferent, sensing that “a riptide had already dragged / me far out to sea, in a rudderless / skiff, in another direction.” Childhood trauma is also a prominent theme here, as explored in “Spanking,” where the poet recalls his father’s belt “unloosened / like a slick tongue” before it hit him. Spang also analyzes a “Photo of My Father as a Boy,” pondering how his father’s obsession with physical appearance mirrored Spang’s attempts to “look right” by marrying, having children, working hard, and dressing professionally. The poet describes the apprehension of revisiting his childhood home as an adult, where the current owner insists on taking him “deep / into the vault of yesterday,” which prompts some heavy soul-searching on the author’s part. Eventually we find the author learning to accept and even appreciate his journey, which led to marrying his husband and building a peaceful, loving domestic life.
Spang lays bare not just intimate moments but also painful and pivotal events, from the end of his 25-year first marriage due to his wife’s affair to how “pleasure erupted out of me” with his first boyfriend after coming out at 48. The author’s family memories recounted in verse will surely resonate with readers, whether it’s a scene where Spang’s father tenderly carries him to bed and kisses him goodnight, or when Spang and his 3-year-old daughter search for their stolen “Mr. Pumpkin” the morning after Halloween. The scenes of Spang’s parents are intricate and evocative; he describes his father napping, limbs “spread out / as if he’d fallen from / an enormous height,” and his mother ice-skating, “whipping around in a spin, / her arms folded across her chest, / whirling, her body a blur.” Nature descriptions are equally crisp, from the way “wind leans against the window” to the “fierce caresses” of the sea. Spang’s similes are also distinctive and deftly crafted: At a high-school dance, he notices, “Some couples seemed to be grooving, really hummin’ / in their own galaxy, while others like my friend / and me circulated like planets through the dark / immensity of the gym.” Readers will no doubt root for Spang, who ultimately arrives at some hard-won truths about his life, in which he knows “what matters are those breathing / here beside me, this world / I never want to leave.” The book’s only weakness is its excessive length; though Spang’s writing is riveting throughout, more thorough editorial pruning would have increased the power of these poems.
A consistently rich and rewarding poetry collection about being true to oneself.Pub Date: June 17, 2025
ISBN: 9781966343370
Page Count: 124
Publisher: Warren Publishing, Inc.
Review Posted Online: Aug. 20, 2025
Review Program: Kirkus Indie
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by Nicole Avant ‧ RELEASE DATE: Oct. 17, 2023
Some of Avant’s mantras are overstated, but her book is magnanimous, inspiring, and relentlessly optimistic.
Memories and life lessons inspired by the author’s mother, who was murdered in 2021.
“Neither my mother nor I knew that her last text to me would be the words ‘Think you’ll be happy,’ ” Avant writes, "but it is fitting that she left me with a mantra for resiliency.” The author, a filmmaker and former U.S. Ambassador to the Bahamas, begins her first book on the night she learned her mother, Jacqueline Avant, had been fatally shot during a home invasion. “One of my first thoughts,” she writes, “was, ‘Oh God, please don’t let me hate this man. Give me the strength not to hate him.’ ” Daughter of Clarence Avant, known as the “Black Godfather” due to his work as a pioneering music executive, the author describes growing up “in a house that had a revolving door of famous people,” from Ella Fitzgerald to Muhammad Ali. “I don’t take for granted anything I have achieved in my life as a Black American woman,” writes Avant. “And I recognize my unique upbringing…..I was taught to honor our past and pay forward our fruits.” The book, which is occasionally repetitive, includes tributes to her mother from figures like Oprah Winfrey and Bill Clinton, but the narrative core is the author’s direct, faith-based, unwaveringly positive messages to readers—e.g., “I don’t want to carry the sadness and anger I have toward the man who did this to my mother…so I’m worshiping God amid the worst storm imaginable”; "Success and feeling good are contagious. I’m all about positive contagious vibrations!” Avant frequently quotes Bible verses, and the bulk of the text reflects the spirit of her daily prayer “that everything is in divine order.” Imploring readers to practice proactive behavior, she writes, “We have to always find the blessing, to be the blessing.”
Some of Avant’s mantras are overstated, but her book is magnanimous, inspiring, and relentlessly optimistic.Pub Date: Oct. 17, 2023
ISBN: 9780063304413
Page Count: 288
Publisher: HarperOne
Review Posted Online: Aug. 17, 2023
Kirkus Reviews Issue: Sept. 15, 2023
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by Zito Madu ‧ RELEASE DATE: April 2, 2024
An intriguing but uneven family memoir and travelogue.
An author’s trip to Venice takes a distinctly Borgesian turn.
In November 2020, soccer club Venizia F.C. offered Nigerian American author Madu a writing residency as part of its plan “to turn the team into a global entity of fashion, culture, and sports.” Flying to Venice for the fellowship, he felt guilty about leaving his immigrant parents, who were shocked to learn upon moving to the U.S. years earlier that their Nigerian teaching certifications were invalid, forcing his father to work as a stocking clerk at Rite Aid to support the family. Madu’s experiences in Venice are incidental to what is primarily a story about his family, especially his strained relationship with his father, who was disappointed with many of his son’s choices. Unfortunately, the author’s seeming disinterest in Venice renders much of the narrative colorless. He says the trip across the Ponte della Libertà bridge was “magical,” but nothing he describes—the “endless water on both sides,” the nearby seagulls—is particularly remarkable. Little in the text conveys a sense of place or the unique character of his surroundings. Madu is at his best when he focuses on family dynamics and his observations that, in the largely deserted city, “I was one of the few Black people around.” He cites Borges, giving special note to the author’s “The House of Asterion,” in which the minotaur “explains his situation as a creature and as a creature within the labyrinth” of multiple mirrors. This notion leads to the Borgesian turn in the book’s second half, when, in an extended sequence, Madu imagines himself transformed into a minotaur, with “the head of a bull” and his body “larger, thicker, powerful but also cumbersome.” It’s an engaging passage, although stylistically out of keeping with much of what has come before.
An intriguing but uneven family memoir and travelogue.Pub Date: April 2, 2024
ISBN: 9781953368669
Page Count: 144
Publisher: Belt Publishing
Review Posted Online: Nov. 17, 2023
Kirkus Reviews Issue: Dec. 15, 2023
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