A serviceable coming-of-age story with an engaging protagonist, though the novel could use some trimming.



In this coming-of-age novel, a young, closeted gay man asserts himself and his political beliefs in the mid-1960s.

At first glance, Jason Follett’s life seems enviable: His family is wealthy and respected, and he’s a handsome fraternity brother and football star with no shortage of female suitors. Upon closer inspection, however, the cracks start to show: He’s resistant to his father’s overbearing brand of parenting; he’s begun to question the decisions of his country’s government, particularly its involvement in Vietnam; and his housemates wonder whether his lack of interest in women is a sign that he’s a homosexual. The novel opens with the insecure Jason entering Ashbury University (“The Harvard of the Midwest,” reads its billboard) as a freshman, pledging the DAE fraternity and playing on the intramural football team. But these gee-whiz, All-American attributes begin to wane as he reads poetry and grows darker and more introspective. A night carousing with a fraternity brother and friend Sue, for instance, is sidelined when he finds a dead boar in the woods and contemplates his own mortality. While Jason’s struggles are interrelated, Spang (Boy at the Screen Door, 2014) is careful to give each its due space while crafting Jason as a complex, relatable character. Often, alcohol is used to mask or blunt his feelings; in a telling shift, Sean and Randy, two upperclassmen who had hazed him when he was a pledge, become acceptable company after he’s been drinking. While Spang does admirable work getting Jason on the page, many supporting characters come across as one-dimensional, especially Jason’s father, who appears needlessly and uncomplicatedly severe toward his son. But the novel’s biggest problem is easily its length—scenes go on for pages longer than they should, sometimes merely reiterating characterizations that happened chapters earlier. Spang gets a bit more traction in the novel’s second half, when Jason’s doubts and insecurities coalesce into a new version of his personality, one in which he’s unafraid to engage his father in political debate or admit to himself that he’s interested in men.

A serviceable coming-of-age story with an engaging protagonist, though the novel could use some trimming.

Pub Date: July 28, 2014

ISBN: 978-1939739421

Page Count: 468

Publisher: RiverRun Select

Review Posted Online: Nov. 26, 2014

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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