by Bruce Parkinson Spang ‧ RELEASE DATE: May 29, 2018
An ambitious, if somewhat stilted, coming-of-age tale.
A novel tells the story of a young American poet driven to find himself in the mountains during the late 1960s.
After the tumultuous summer of 1968—when assassinations and riots killed whatever optimism had flourished in the decade’s early years—Jason Follett leaves his Illinois home to attend divinity school at Vanderbilt University. But he isn’t doing it out of any love of God: “By luck, and the recommendation of a college professor, I applied to Vanderbilt Divinity School, was accepted, got my 4-D deferment, and, for at least two years, put off military service.” In addition to the disconnect he feels from the politics of his conservative parents, he is confused by his own gay urges, which he is forced to keep quiet to avoid persecution. At Vanderbilt, Jason, who writes poetry, meets Erling Duus, a fellow student who loves the transcendentalists and plans to open a school in the Cumberland Mountains. “It builds on folk traditions that are being lost in the rapid-paced urban and industrial society,” Erling explains. The purpose of the school is to get back to a purer democratic way of life according to the customs of the region. Though it’s difficult to explain exactly how the folk school fits into Jason’s ministry, he goes all-in on the project, moving to the mountains and studying fresh lines of thought. As he engages in dramatic affairs with women—and men—Jason attempts to shed old hang-ups and find a new way to exist. But the rest of America cannot be kept at bay. News of the Stonewall Riots, Kent State, and other events reaches as far as the folk school, and suspicious locals become a threat. As the ’70s dawn, Jason must decide what sort of man he must be to meet the new world. Spang (Description of the Thrush, 2014) writes in a quiet, literary prose that deftly captures Jason in all his passion and vexation: “I skipped a few services as the summer days shortened. I’d been cashing in my wages of sin at a rate that frightened me. Much as I tried to deny it, my attraction to Stephen who slept at the log cabin with me became an obsession.” The book introduces a captivating world where academic radicals mix with conservative working people, a fertile environment for examining the tensions of the time period. But Jason is perhaps not quite as intriguing as his surroundings: Compared to the other characters’ difficulties, his problems are generally less urgent, and he is less active in confronting them. Much of the novel is reported as exposition, which slows down the pacing and deadens the vitality of what should be fairly emotional content. That said, the story feels more than a little topical in the current cultural climate, when every young person seems to be involved in some existential crisis, and where every choice feels political, even going off to talk about poetry in the woods. Spang engages with real ideas about the ways individuals and societies can function, exploring human flaws and human aspirations in equal measure.
An ambitious, if somewhat stilted, coming-of-age tale.Pub Date: May 29, 2018
ISBN: 978-1-944393-89-2
Page Count: 322
Publisher: Piscataqua Press
Review Posted Online: Aug. 21, 2018
Review Program: Kirkus Indie
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BOOK REVIEW
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BOOK REVIEW
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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